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Monthly Book Post, September 2014

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What I read last month, with some emphasis on the Great Books of the 16th century.  In this edition:

Donna Tartt's The Goldfinch
Vonnegut's Bluebeard
Francis Bacon's Essays
William Harvey's On the Motion of the Heart and Blood, & On the Circulation of the Blood
Sir Philip Sidney's The Countess of Pembroke's Arcadia
May Sarton's Journal of a Solitude
Giordano Bruno's Dialogues Concerning Cause, Principle and Unity
Charles Robert Maturin's Melmoth the Wanderer
Primo Levi's The Periodic Table
...and the usual assortment of period murder mysteries, from Edward IV to Henry VIII.

Enjoy!


Monthly Bookpost, October 2014

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What I read last month, with a smattering of Tudor-era history and a lot more from the modern era.  This month:

Spenser's The Faerie Queene
Bacon's On the Advancement of Learning
Browne's Religio Medici

Theodor Fontaine's The Stechlin
Nigel Nicolson's Portrait of a Marriage
Bernard Malamud's God's Grace
Maria Dahvana Headley's The Year of Yes
Thomas Piketty's Capital in the Twenty First Century
....and the usual assortment of historical mystery novels.

Enjoy!

Monthly Book Post, November 2014

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What I read last month. Some from or about the 15th-16th Century; others from all over the bookshelf...in this edition:

Essays (Vol. III), by Michel de Montaigne
Jerusalem Delivered, by Torquato Tasso
The Stripping of the Altars, by Eamonn Duffy
The Reformation, by Will Durant

The Posthumous Memoirs of Bras Cubas, by Joaquim Maria Machado de Assis
Cat's Cradle, by Kurt Vonnegut, Jr.
An Imaginary Life, by David Malouf
The Hours, by Michael Cunningham
Your Hate Mail Will Be Graded, by John Scalzi
----and the usual assortment of murder mysteries in historical settings.

Enjoy!

Forbidden words and phrases, 2015

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Adorbs

Affluenza

Amazeballs

Ammosexual

Blatantly feed a child

Boobs on the ground

Monthly Book Post, December 2014

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What I read in December, including some emphasis on the 16th Century and a lot of light holiday reading as well.  In this installment:

OLDER:
The Defense of Poesy, Sir Philip Sidney
Holinshed's Chronicles of England
Don Quixote, by Miguel Cervantes
On Animal Generation, by William Harvey
La Salle and the Discovery of the Great West, by Francis Parkman
...and the usual assortment of historical mysteries set in the era.

NEWER:
Embers, by Sandor Marai
Vanish in an Instant & How Like an Angel, by Margaret Millar
Jailbird, by Kurt Vonnegut
The Time Traders, by Andre Norton
Amsterdam, by Ian McEwan
Small Gods, by Terry Pratchett
Ill Met by Moonlight, by Sarah A. Hoyt
Lock In, by John Scalzi

Enjoy!

Monthly Book Post, January 2015

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And so a new year of reading begins.  As I continue my decade-long foray into the great literature through history, I undertake the 17th Century, bookended a little, from the final years of Queen Elizabeth to the final years of Louis XIV. I plan to go to about 1715 and marvel at the halfway point, that I will have covered about 2000 years of civilization in half a decade, while the other half will cover just 300 years and be by far the greater challenge.  

Major tomes to tackle will include Burton's Anatomy of a MelancholyThe Diary of Samuel Pepys, Newton's Principia, Spinoza's brief but dense Ethics, and Bayle's Historical/Critical Dictionary.  Since mysteries set in historical times add some fun to the enrichment, I'm continuing to look for those as well. I've found Edward Marston, Leonard Tourney, Susanna Gregory and Laura Joh Rowland, who explore the Elizabethan and Jacobean stage; the Restoration, and 17th Century Japan. If anyone knows of others set in the time, especially King Louis XIV's court or the Cromwell/Commonwealth period, please let me know.  Otherwise, I hope we all enjoy the trip.

In this month's post:

Discourse on Method/Meditations, by Rene Descartes
The Sceptikal Chymist, by Robert Boyle
The Syntagma Philosophicum, by Pierre Gassendi
Paradise Lost by John Milton

The Gormenghast Trilogy, by Mervyn Peake
Pale Fire, by Vladimir Nabakov

...and the usual assortment of historical mysteries from the era.

Enjoy!

Monthly Book Post, February 2015

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What I read last month, featuring but not limited to, this year's focus on the Elizabethan era and the 17th Century.  In this month's edition:

The Defeat of the Spanish Armada, by Garrett Mattingly  
Objections to the Meditations, and Replies, by Descartes, Gassendi, Hobbes, et al  
De Corpore, by Thomas Hobbes  
The Sea, The Sea, by Iris Murdoch  
Sputnik Sweetheart, by Haruki Murakami  
You Suck (A Love Story), by Christopher Moore  
...plus the usual assortment of historical based mystery novels.  Enjoy!

Monthly Bookpost, March 2015

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What I read last month.  In this edition...
Geometry, by Rene Descartes    
The Harvard Classics "Voyages and Travels" volume  
Scientific treatises, by Blaise Pascal  

Hadrian the Seventh, by Frederick Rolfe
Dwellers in the Mirage, by A. Merritt
Down and Out in Paris and London, by George Orwell  
Into the Heart of Borneo, by Redmond O'Hanlon  
The Bonfire of the Vanities, by Tom Wolfe  
Money--Mastering the Game, by Tony Robbins  

...plus the usual assortment of history-based mystery stories.  Enjoy!


Monthly Book Post, April 2015

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What I read this month, with an emphasis on the 17th Century. In this edition:


The Ornament of the World, by Maria Rosa Menocal
Rules for Direction of the Mind; Principles of Philosophy; The Passions of the Soul, by Rene Descartes
The Law of War and Peace, by Hugo Grotius
The Anatomy of Melancholy, by Robert Burton
Table Talk, by John Selden
Letters and Minor Works, by Blaise Pascal

Barney's Version, by Mordecai Richler
The Goblin Emperor, by Katherine Addison
The Dark Between The Stars, by Kevin J. Anderson

...and the usual assortment of history-based murder mysteries. Enjoy!

Monthly Bookpost, May 2015

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What I read last month, with a little less 17th Century than the last few months (I have to come up for air some time).  In this edition:

Poems, by John Milton
The Age of Reason Begins, by Will and Ariel Durant
The Female Quixote, by Charlotte Lennox

The Water Babies, by Charles Kingsley
In the Valley of the Assassins, by Freya Stark
Interview With the Vampire, by Anne Rice
Filter House, by Nisi Shawl
Skin Game, by Jim Butcher

...and the usual assorment of history-based mysteries.  Enjoy!

Monthly Bookpost, June 2015

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What I read last month, with some focus on the 17th century and "Great Books".  In this edition:

The Provincial Letters, by Blaise Pascal
Leviathan, by Thomas Hobbes
Optics, by Sir Isaac Newton
The Nun, by Denis Diderot
Walden, by Henry David Thoreau
The Radetzky March, by Joseph Roth
Brown Girl in the Ring, by Nalo Hopkinson
Ancillary Sword, by Ann Leckie.
...plus the usual assortment of period murder mysteries.  Enjoy!

Monthly Book Post, July 2015

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What I read last month. In this edition:

Pensees, by Blaise Pascal
Areopagitica, by John Milton
Lives, by Izaak Walton
Leviathan and the air Pump, by Steven Shapin and Simon Schaffer

The Progress of Love, by Alice Munro
London Orbital (a walk around the M25), by Iain Sinclair
Out of my Mind, by Sharon M. Draper
The Three Body Problem, by Cixin Liu
...plus the usual collection of period murder mysteries. Enjoy!

Monthly Book Post, August 2015

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What I read last month, with an emphasis on the 17th Century.  In this edition:

Political Treatise, by Benedict de Spinoza
Characters, by Jean de La Bruyere
Treatise on Light, by Christian Huygens
Theodicy, by G.W. Leibniz

The Heat of the Day, by Elizabeth Bowen
Travels With Charley (In Search of America), by John Steinbeck
A Good Man is Hard to Find, by Flannery O'Connor
Bite Me (a love story), by Christopher Moore
My Fight, Your Fight, by Ronda Rousey
...plus the usual assortment of period mysteries.  Enjoy!

Monthly Bookpost, September 2015

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What I read last month, 17th Century and modern. In this edition:

Pilgrim's Progress, by John Bunyan
Paradise Regained and Samson Agonistes, by John Milton
The Maxims of Francois De La Rochefoucauld
Dialogues on Metaphysics and on Religion, by Nicolas de Malebranche
Discourse on Metaphysics, by Gottfried Wilhelm Leibniz

Where Jackals Howl, by Amos Oz  
The Crying of Lot 49, by Thomas Pynchon
Warchild, by Karin Lowachee
...and the usual assortment of period mysteries. Enjoy!

Monthly Book Post, October 2015

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What I read last month. In this edition:

A Short Account of the Destruction of the Indies, by Bartolome de las Casas
The Diary of Samuel Pepys
Ethics, by Benedict De Spinoza  
Simplicius Simplicissimus, by Hans Jacob Christoph Von Grimmelshausen
A Letter Concerning Toleration, by John Locke
Monadology, by Gottfried Wilhelm Leibniz  
The Third Policeman, by Flann O'Brien
Samuel Pepys, a Life, by Stephen Coote
Babel-17, by Samuel R. Delany
This Changes Everything, by Naomi Klein
Chaffs, by Douglas P. Lathrop

...plus the usual assortment of period mysteries. Enjoy!


Monthly Book Post, November 2015

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What Passed for Liberalism BacK Then: Two Treatises on Government, and Some Thoughts on Education, by John Locke

 But the chief matter of property being now not the fruits of the earth, and the beasts that subsist on it, but the earth itself; as that which takes in and carries with it all the rest; I think it is plain, that property in that too is acquired as the former. As much land as a man tills, plants, improves, cultivates, and can use the product of, so much is his property. He by his labour does, as it were, inclose it from the common. Nor will it invalidate his right, to say every body else has an equal title to it; and therefore he cannot appropriate, he cannot inclose, without the consent of all his fellow-commoners, all mankind. God, when he gave the world in common to all mankind, commanded man also to labour, and the penury of his condition required it of him. God and his reason commanded him to subdue the earth, i.e. improve it for the benefit of life, and therein lay out something upon it that was his own, his labour. He that in obedience to this command of God, subdued, tilled and sowed any part of it, thereby annexed to it something that was his property, which another had no title to, nor could without injury take from him.

Nor was this appropriation of any parcel of land, by improving it, any prejudice to any other man, since there was still enough, and as good left; and more than the yet unprovided could use. So that, in effect, there was never the less left for others because of his enclosure for himself: for he that leaves as much as another can make use of, does as good as take nothing at all. No body could think himself injured by the drinking of another man, though he took a good draught, who had a whole river of the same water left him to quench his thirst: and the case of land and water, where there is enough of both, is perfectly the same.

Locke's Second Treatise on Government is the one they assign in all the Freshman Humanities courses.  The First Treatise nobody reads: it's an argument against the Divine Right of Kings, which no one believes in any more.  They only blindly accept the Divine Rights of Capitalists to do whatever they want in a consequence-free environment.

Similarly, the Second treatise was considered the crackpot idea of a wild-eyed radical back in the day, then was accepted as self-evident, and is now spouted mainly by wild-eyed Tea Party reactionaries who believe the most unfortunate parts of it.  The parts where Locke says that the sole purpose of gummint is to preserve property rights, and that it is permissible to use deadly force against a petty thief.  I guess that means, anyone without property is better off under anarchy, eh?

Then there's the part where the "social contract" is made by individuals with the gummint, and can be retracted by individuals, which is why we have stark raving "sovereign citizens" arguing with a straight face that the laws don't apply to them if they don't give explicit consent.  And the part where the citizens get to overthrow an unjust regime, which--granted, Locke put this in at just the right moment, right after the peaceful overthrow of James II--is why the gun nuts are saying they need assault rifles, just in case they have to take up arms against the Unmited States armed services.

The REST of the discourse seems too self-evident to talk about, to most modern Americans.  The idea of separation of powers and an independent judiciary were pivotal in the American Constitution, so much so that it's hard to imagine any other way.

The work I read also included a middling-length essay of "Thoughts on Education", which those of you who may be bringing up a son on a country estate with a live-in tutor to teach him such things as falconry and Latin might find useful.  Locke recommends a pretty ridiculous diet and curriculum, which may have been the best that the 17th century had to offer.  The only part really worthy of study today is the big section in the middle that talks of parenting a child to instill the proper moral virtues--and is, again, a strange mix of common sense and emotional abuse that says more about how awful the prevailing schools of thought must have been pre-Locke than about Locke in particular; for example, he urges parents to use floggings sparingly.  How enlightened of him.

Meanwhile, In Italy: I Promessi Sposi, by Alessandro Manzoni 

"All according to plan, sir." said Nibbio, with a bow.  "The messenger was on time, the girl was on time, there wasn't anyone around at the place where we snatched her up, she only screamed once, and nobody heard her. The coachman knew his job, and the horses were fine, we met no one.  And yet..."

"And yet, what?"

"Well, sir, to tell you the truth, I'd just as soon you'd told me to put a bullet through her from behind, without all this business of having to listen to her and look at her face."

"WHAT?  What was that? What do you mean?"

"You see, sir, it went on such a long time...Somehow she made me feel sorry for her. Compassion, I suppose you'd call it."

"Compassion? What do you know about compassion? What is compassion, anyway?"

"I never realized what it was before half so well as I have this time, sir.  It seems to be something a bit like fear. If a man lets it get hold of him, he loses his manhood."

This one is set in the 17th Century, but was written in the 19th.  Since the 17th century is short on prose fiction and short on anything written in or about Italy, I decided to include it this year.

I Promessi Sposi  ("The Betrothed") , in yet another testament to Charles Elliott's quirky tastes, takes up a whole volume of The Harvard Classics, as the only novel besides Don Quixote worthy of mention.  A very weird choice.  But for its presence here, and a cousin who used "I Promessi Sposi" on her wedding announcements, I might never have heard of it.  It's certainly not on any lists of great books (besides Dr. Elliott's) that I've consulted, though I'm told that, in Italy, they consider it a national treasure comparable with America's Huckleberry Finn. It is, however, a good, epic book, like hundreds of other good, epic books out there, reminiscent of Victor Hugo and George Elliott, with expansive panoramas of Milan and Lake Como, and entire chapters that divert from the plot to give complex back stories about tangential characters, to explain why those characters  make certain choices that help or hinder the protagonists.

The betrothed of the title are Lorenzo and Lucia, whose wedding plans are disrupted by the evil, powerful Don Roderigo, who wants Lucia on an amorous whim.  Roderigo has his henchman bully the cowardly local priest into refusing to perform the marriage, then plots to have Lucia kidnapped,  The couple flees their provincial village to avoid him, split up, and have adventures involving sinister nuns, underworld figures, bread riots, secret police, war and plague before Roderigo obligingly dies and the couple can marry at last. 

Lorenzo is pure of heart, and therefore has the strength of ten men, which he needs, since he constantly makes new enemies over ridiculous misunderstandings.  Lucia is so virtuous that her tear-stained visage softens the hearts of men who would ravish her, such that they drop their swords and rush to deliver their souls to Christ and sin no more. Melodrama is on every page, and yet it is a gripping and moving story, if you can suspend whatever snark you may have and embrace The Glurge.

The Restoration Murders:  The Picadilly Plot; Death in St. James's Park, by Susanna Gregory; The Fire Kimono; The Cloud Pavilion, by Laura Joh Rowland; The Painted Lady, by Edward Marston 

The dream was always the same, its time the sixteenth year of her life.  She ran through the streets of Edo. Her hair was magically no longer grey but black and glossy, her body slim and strong and quick.  Around her, people hurried screaming in all directions.  Flames leaped and roared from burning houses.  Roofs caved in with mighty hes. Cinders stung her eyes and burned holes in her leather cape and hood.  The smoke was so thick she could barely breathe or see.

--from The Fire Kimono

Chaloner was tired when he reached Tothill Street, and half hoped Hannah would be out.  But as soon as he opened the door, he could tell by the acrid stench of burning that not only was she home, but that she was baking.  He coughed as the smoke seared the back of his throat, and approached the kitchen with caution, knowing that to do otherwise might result in bodily harm--she was not averse to hurling her creations across the room if they did not turn out as she expected. And, as her loaves had the shape and consistency of cannonballs, being hit by one was no laughing matter.

--from The Picadilly Plot

"The time for war was over more than a century ago, when the Tokugawa clan and its allies conquered their rivals and unified Japan." Yanigasawa said, wise in hindsight. "This dictatorship won't be won by military maneuvers, I see now. Today's political climate calls for more subtle tactics."

"What are they? What are you going to do?" Apprehension shadowed Yorimoto's beautiful face. "Is there a part in your plan for me?"

Yanagisawa was touched by his son's wish to be included in whatever he did, no matter the dangers.  Yorimoto was so good, so loyal. "Never fear," Yanagisawa said. "You're key to my whole scheme."  Yorimoto was Yanagisawa's best hope of one day ruling Japan. Yanagisawa had big plans for him. "Now listen."

--from The Cloud Pavilion

Unfortunately, the ducks had been disturbed by the fracas, and had scattered into the darkness. Only one remained, its filmy eyes and dull feathers suggesting it was ill. Thoroughly rattled by the whole business, Leak grabbed it with one hand and groped in his pocket for the phial with the other. He forced open the bird's beak, and without thinking pulled out the stopper with his teeth.

As soon as he tasted the searing bitterness on his tongue, he knew he had done something very stupid.  His stomach clenched in horror, and he spat frantically...he staggered, hands to his neck, then pitched forward and began to convulse...

---from Death in St. James's Park

Araminta Jewell was, by common consent, the most beautiful woman in London and the fact that she kept her many suitors at arm's length only addes to her allure.  She was everything that the four men sought in a mistress and they had been so beguiled by her charms that they had formed a Society for the Capture of Araminta's Maidenhead.  The person fortunate enough to win his way into her bed was also destined to collect the large reward to which they had all generously contributed.

--from The Painted Lady

The Fire Kimono is another formulaic 17th Century Japan mystery, this time involving the discovery of a decades-old skeleton and instructions for Sano Ichiro to solve the long-ago murder.  One would think that by now the Shogun would be accustomed to Sano's years of efficient and loyal service to stop almost having him executed for treason, but, you know---plot device. The Cloud Pavillion is more of a traditional whodunnit, with (finally) the inevitable State crisis and threats to execute Sano and all his family taking a back seat to a standard set of crimes with a small set of suspects.  Trigger warnings, as the crimes involve kidnappings, rapes, and graphic depictions of the associated trauma in a world where "soiled, unclean" women are shunned and discarded by fathers, husbands, and others one would most expect them to turn to for comfort in their time of distress.

Susanna Gregory's period pieces are probably the most educational mystery reading of the year.  I've long since stopped trying to solve the improbable plots, and have instead taken to just sitting down and letting Restoration London wash over me.  Most of the plots are excuses to explore the same zeitgeists raised in Pepys's diary anyway--in the case of The Picadilly Plot, there is the British colony in Tangiers, rival mercantile trading companies, Earl Clarendon's extravagant mansion, and the King's scandalous mistress. Death in St. James's Park, on the other hand, muddles up corruption in the Post Office, the poisoning of royal birds, a woman's murder made to look like Smallpox, incipient revolutions led by a man thought to be long dead, and the King's scandalous mistress.

Edward Marston wrote much more than the Lord Westfield's Men stories I finished last month.  He has a whole nother series set in the Restoration.  Unfortunately, The Painted Lady is the only volume my local library has from that one.  It's an entirely different tone than the rowdy actors I've become accustomed to.  The plot is a nasty one in which the ancestors of Bertie Wooster place bets on who can be the first to seduce a woman who doesn't want them, continuing even after the lady marries someone else.  There is an artist who contracts to paint the lady's portrait, and an architect designing the artist's house, and a friend of the architect who is the local constable.  From this chain of people, and the murder of the lady's husband, comes a tale in which the suspects are nasty people presented as jolly rogues; the constable is so stodgy and judgmental that one almost forgives the nasty suspects, and the side characters, though the Commonwealth is long gone, are either overentitled libertine cavaliers or overly snooty, humorless roundheads.  Unlike most of the Westfield's Men books, this is an actual whodunnit.

The Best of All Possible Epistemologies:  New Essays on Human Understanding, by Gottfried Wilhelm Leibniz   

That division was a famous one even among the ancients. Like you, they took 'logic' to include everything having to do with words and with making our thoughts known--the art of speaking. But there is a problem about this, namely that the science of reasoning, of judgment and of invention, appears quite different from the knowledge--which is neither determinate nor principled--of etymologies and language use. furthermore, one cannot explain words without making incursions into the sciences themselves, as is evident from dictionaries, and conversely, one cannot present a science without at the same time defending its terms.

This is the last of the major Leibniz books I'm reading this go-around (see bookposts of the last few months for more Leibniz), and as far as I'm concerned, good riddance to him.  Bertrand Russell pronounces him a great philosopher who wrote bland things to curry political favor, and he was indisputably a genius and polymath for reasons mostly unrelated to his philosophical works, but I've had enough.

The New Essays were a halfhearted rationalist response to Locke's empirical theory of epistemology (that is, the--at the time--great philosophical rift between those who, like Leibniz, believed that people learned and understood the world primarily by thinking about it, and those who, like Locke, believed we learn and understand only by experience).  I'm still reading Locke's huge Essay on Human Understanding, and will likely comment on it next month.

Reading the two together, it seems to me that Leibniz is incorrectly reading, or misreading on purpose, Locke's view.  His primary arguments for "innate ideas" concern logic and geometrical demonstration, but he fails to explain how any child would come up with these rules without first either being shown them or attempting to count some objects or something.  Further, he treat's Locke's "tabula rasa" (drink whenever Locke or Leibniz says "tabula rasa", meaning the "blank slate" with which we are supposedly all born, and that is written on as we develop knowledge and character) as if we NEVER think without external input, whereas Locke says that, once we have some experience or input, THEN (but not before) we can think just fine.

Recommended for epistemology geeks.  Most of us are too busy thinking to step back and consider how we think. We'd trip over ourselves that way.

Another Pleasant Valley Sunday: The Nephew, by James Purdy 

The tragedy in the Baker family had been simple and terrible and complete.  Doctor Joe, as everyone had addressed him, who had always been a town model for character, uprightness, and brains--the direct opposite of Willard in everything--became involved in what amounted to a virtual public scandal, a love affair with a young married woman in Cincinatti. In the disgrace which followed, and in the falling off of both doctors' practices, Joe, everybody was convinced, had turned to drugs, then, hopelessly addicted, one bright June day in his consulting room before the eyes of a young boy whom he was treating for a cut finger, he shot himself to death.  Dr. Baker senior died of a heart attack a week or so later.  The mother, whose sun rose and set in Doctor Joe, lingered on a year longer in a condition which mercifully, perhaps, allowed her to mistake Willard for his younger and favored brother.  She died, Willard's hand in hers, believing that his touch was that of her beloved Doctor Joe.

Sometimes it's hard for me to tell why something like Winesburg, Ohio remains in the American canon forever, while The Nephew, published in the 1950s, is something most people have never heard of.  Purdy's is a much better riff on the standard theme of the nice Norman Rockwell-seeming American small town that is gradually revealed to be full of skeletons; the barnacle-encrusted underbelly of the Good Ship Lollipop.

In this version, an aging brother and sister living together, both childless, have found an outlet for their pent-up affection raising the orphaned nephew of the title, who as the story begins, has gone to serve in the Pacific during WWII and has been reported missing in action.  The brother is optimistic that he is alive. The sister is already resigned to the idea that he is dead, and prepares to write a memorial to him.  In the process, she interviews local people who knew him, and digs up things about the nephew and the rest of the town that tear off the nice Norman Rockwell facade.

As usual, there is gossip and holier-than-thou judgments and shunning.   As usual, the town freaks and pariahs turn out to be better people than the upright, uptight, judgmental gossips.  As usual, some of what is hidden is tender and sweet, and therefore hated by the gossips; and some of what is hidden is bitter and hateful, and therefore "none of your damn business" according to the gossips.

Pompous White Explorer, I Presume: Journal of Discovery of the Source of the Nile, by John Hanning Speke

How the negro has lived so many ages without advancing seems marvellous when all the countries surrounding Africa are so forward in comparison; and judging from the progressive state of the world, one is led to suppose that the African must soon either step out from his darkness or be superseded by a being superior to himself.  Could a government be formed for them like ours in India, they would be saved; but without it, I fear there is very little chance; for at present the African neither can help himself, nor will he be helped by others, because his country is in such a constant state of turmoil that he has too much anxiety on hand looking out for his food to think of anything else. As his fathers ever did, so does he.  He works his wife, sells his children, enslaves all he can lay hands upon, and unless fighting for the property of others, contents himself with drinking, singing and dancing like a baboon to drive dull care away.  

I could barely stand to get through this one.  The good part is, you get an interesting exploration history and a lesson in East African geography and culture with vivid descriptions of flora and fauna.

The bad part is, to get that, you have to wade through a disgusting narrative of imperialist white Victorian-era racism from a Sir Humphrey Rumphrey Aberthnottle prototype who thinks English culture is the center of the Universe, and who classifies the indigenous people of east Africa as "fauna", no different from animals, and who never passes up the chance to remind you what color the natives are, nor how lazy, untrustworthy and savage they are, nor how he longs to set up a British-style government who will take these useless subhumans and get them to make something of themselves while the British take over the land and put it to good, productive use for white people.

He complains about the lack of civilization like a tourist who goes to a developing nation and is upset that they don't have air conditioning or whatever, except that instead of throwing a tantrum, he sticks out his chin, raises an eyebrow smugly, and tells you how primitive they all are compared to his precious Britain.  I wanted to smack him, and vaguely hoped he would accidentally summon Cuthullu and go mad.  Lovecraft would have loved Speke.

...And I Feel Fine:  The Fifth Season, by N.K. Jemisin 

"You killed him," you say to Rask. This is not a rational thing. You mean you-plural, even though you're speaking to you-specific.  Rask didn't try to kill you, had nothing to do with Uche, but the attempt on your life has triggered something raw and furious and cold.You cowards. You animals, who look at t achild and see prey. Jija's the one to blame for Uche, some part of you knows that--but Jija grew up here in Tirimo. The kind of hate that can make a man murder his own son? It came from everyone around you.

Rask inhales: "Essun--"

And then the valley floor splits open.

In The Fifth Season, the world ends, over and over. Reportedly, it's about to end for the last time.

And once again, a book I would like to go on and on about has a plot that would be spoiled if I said too much about it, and so some background will have to suffice.  By "end of the world", Jemisin means an environmental catastrophe, usually brought on by severe earthquakes on this fault-ridden planet, which does not in fact end all life on the planet, but that does severely hold things back for a lengthy time.  Fortunately, there are gifted people called "orogenes", who have the power to influence and calm seismic activity.  Unfortunately, orogenes are outcasts, blamed for the quakes by an ignorant, superstitious public, and subjected to the control of "guardians" who have the authority to pretty much do what they want by way of discipline.  Compare and contrast with the Psi corps of Babylon-Five; if you have the gift, you join or you're imprisoned, and either way, the world hates you.

Into this world, the chapters alternate between three protagonists: A young orogene girl being brought into guardian control, so that her gift can be tamed and civilized; a mature orogene woman whose routine mission to the coast takes unexpected turns; and a woman whose story is told in the second person, on a quest of her (your) own. The three stories eventually interlock.

High recommendations for the thought provoking parallels between Jemison's world and our world, particularly in how people treat the planet and one another, and the potential consequences.

Here Come Da Sun King: The Age of Louis XIV, by Will and Ariel Durant

This volume is Part VIII in a history whose beginning has been forgotten and whose end we shall never reach.  The subject is civilization, which we define as social order promoting cultural creation; therefor it includes government, economy (agriculture, industry, commerce, finance), morality, manners, religion, art, literature, music, science and philosophy. The aim is integral history--to cover all phases of a people's activity in one perspective and one unified narrative; that aim has been very imperfectly achieved.  The scene is Europe. The time is from the Treaty of Westphalia (1648) to the death of Louis XIV, whose reign (1643-1715) dominated and named the age.

Eight volumes into the Durants' history of Western Civ, I have very little to add that I didn't say about the first seven.  Here we have the second half of the 17th Century and a bit of the 18th, divided into chapters focusing on France; England; the rest of Europe/Russia/North Africa/Middle East; science and philosophy; and an epilogue on France again. Art and literature, morals and manners and some social science works are covered in the country-specific parts; science and philosophy represent the "mind" of the era.

Reading the actual works described at the same time kinda cheapens the Durant experience, but for normal people who don't have time to read so much, it's a decent enough refresher.  seems to me, once Ariel took an equal role with Will, the series became more Francocentric--the final four volumes, including this one, are apparently structured based on the lives of the last three kings of France, and Napoleon, after which they decided it was a good enough stopping spot.

Find all of my previous Bookposts here: admnaismith.livejournal.com/...

Monthly Bookpost, December 2015

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City of Stairs, by Robert Jackson Bennett 

You were raised a patriot, to love Saypur and to believe that its virtues must be extended to all the world--but this is not your job. Your job in the Ministry is not to stop corruption and inequality; rather, those are tools in your bag to be used to aid Saypur in every way possible.  Your job is to make sure the past never happens again, that we never see such poverty and powerlessness again. Corruption and inequality are useful things; if they benefit us, we must own them fully.

Any resemblance between the occupied continent here and American-occupied Iraq is purely coincidental. Of course.

I'm enthralled, and wish this one had made it onto the Hugo ballot for 2015; I would have picked it over any of the other nominees for its wonderful character and atmosphere, exciting action scenes, richness of language and parallels between a fantastic world and the one we live in.   The "City of Stairs" is so-called because of the war that bombarded the city until many structures collapsed, leaving only the stairs.  The natives are considered "primitive", zealous in their worship of old gods and traditions; the occupying "civilization" claims to have killed those gods and forbids the inhabitants from worshipping or even naming them, with predictable results.  A cultural scholar, studying the old writings and artifacts that the occupied people themselves are denied access to, is murdered, and pretty much every zealot on the continent has motive, and so they bring in the big guns to investigate--the quiet, innocuous-looking woman who is naturally beyond friggin' badass, and her giant security guard who is even more so.  And then--it seems that at least one of the gods is not dead after all...and artifacts with powers are stirring things up.

Very highest recommendations. just read it. And then wait for the sequel.

Essay Concerning Human Understanding, by John Locke 

Let us then suppose the mind to be, as we say, white paper, void of all characters, without any ideas:—How comes it to be furnished? Whence comes it by that vast store which the busy and boundless fancy of man has painted on it with an almost endless variety? Whence has it all the MATERIALS of reason and knowledge? To this I answer, in one word, from EXPERIENCE. In that all our knowledge is founded; and from that it ultimately derives itself. Our observation employed either, about external sensible objects, or about the internal operations of our minds perceived and reflected on by ourselves, is that which supplies our understandings with all the MATERIALS of thinking. These two are the fountains of knowledge, from whence all the ideas we have, or can naturally have, do spring.

I began the year with Descartes, and I suppose it's fitting to end it with John Locke's epistemology, as those two philosophers pretty much set the tone for the two competing theories of knowledge that dominated Europe through the early 20th Century, with Descartes and "rationalism" contending that there are innate ideas that the mind can reach internally, and Locke and "empiricism" arguing that only when we have come to learn some things through experience can we develop more complex ideas through thought.  Mathematical concepts and logical proofs may exist independently of anything we perceive through senses, but no one ever came to understand these concepts without first encountering some objects and trying to count them.

The buzzwords from Locke are that the mind is a "tabula rasa" (blank slate) that is written on as we grow and experience life, and that there are simple "primary qualities" inherent in objects themselves (solidity, extension, shape, mobility, number) and "secondary qualities" that are inherent in the observer (color, smell, taste, etc.).

Seems to me, Locke's version makes more sense than continental rationalism (in large part because it doesn't rely so much on the existence of a benevolent "God" to create inherent ideas and ensure that we perceive things accurately), but obviously people's mileage has varried over the years, and I'm more of a pragmatist than an empiricist anyhow. 

At least one philosopher has suggested in hindsight that Rationalism logically leads one to Fascism and Hitler, while Empiricism logically leads one instead to Communism and Stalin. This seems peculiar to me, since Locke the empiricist also articulated a theory of government (see last month's bookpost both for Locke on government and Leibniz trying to refute Locke on rationalist grounds) that is essentially the bourgeois anti-Marxist vanguard against Communism.

Murder on High Holburn; The Cheapside Corpse, by Susana Gregory; The Ronin's Mistress; The Incense Game, by Laura Joh Rowland  

"I hope you reject the developers' suggestions," was all he said. "If they have their way, we shall have houses from Kensington to Wapping, and from Southwark to Shoreditch."

"You exaggerate, Tom. The city will never grow larger than it is now. How could it? We are bursting at the seams already.

--from Murder on High Holburn

"Why are you lying in the gutter? What happened?" Catching a whiff of liquor, the Satsuma man recoiled in disgust. "The rumors are true, then. You've become a bum."

He announced, "This is Oishi Kuranosuke, former retainer of Lord Asano. He doesn't have the courage to avenge his master's death. Faithless beast!" He trampled on Oishi and spat in his face. "You are unworthy of the name of samurai!"

A crowd joined in the taunting, kicking and spitting. The pain brought Oishi to his senses. Something within him shifted, like fractured ground settling back into place after an earthquake. That day was the last time he ever drank.  That day he vowed to fulfill the promise he'd made to Lord Asano.  That day he began his journey toward vengeance and redemption.

--from The Ronin's Mistress

He heard the soft tap of footsteps behind him as he strode down White Goat Wynd and turned in annoyance, assuming it was a debtor come to beg for a reprieve, so when the knife plunged into his chest, his first reaction was indignation. Who dared raise a hand against him? An embittered client? Baron? A fellow banker, jealous of his success? The long list was still running through his mind when he died.

--from The Cheapside Corpse

The townsman touched the women's bodies. Recoiling, he cried, "They're all dead! And their eyes! What is this?" He thrust his hands up and yelled, "Get me out of here!"

His comrades pulled him up. He sat on the ground, panted, and babbled.  Sano and Hirata flung away more beams until the entire room was exposed.  Now they saw what had frightened the young man.  The dead women were eerily, disturbingly well preserved, their eyes a bright, gleaming red. 

--from The Incense Game

The final books to date in Gregory's Thomas Chaloner spy novels bring the reader deep into the dutch wars and have the usual interlocking plots and escalating body counts I've bemome accustomed to. In Murder on High Holborn (at the time, on the outskirts of London; today, pretty much in the middle), it's an English warship sunk by traitors in the Thames, a plot by Fifth Monarchists to replace King Charles with "King Jesus", a corpse found in a brothel, and a ghost story in which Chaloner meets a woman dead for over 40 years. The Cheapside Corpse takes place at the start of the Dutch War, at a time when bankers (goldsmiths, really) were required by the king to finance the war, and who in turn shook down the people of London at exorbitant interest rates. This, together with the outbreak of plague, sets the tone for another mystery.  Perhaps Gregory will eventually take up The Great Fire.  I'll look forward to it.

The fifteenth Sano Ichiro novel by Laura Joh Rowland is the best one I've read so far.  It's based on a real incident in 1703 in which a high ranking Lord was executed for drawing a sword within the walls of Edo castle, and two years later the Lord's samurai retainers, now masterless, slew the man against whom he had drawn the sword.  The trial of "the 47 ronin" was controversial, with some saying that the ronin should be executed for treason against the shogun, and others saying that they were heroes for avenging their master's death.  In Rowland's book, Sano is called on to pass justice in a trial in which a decision either way will be unpopular and may lead to Sano's downfall and execution (ugh, not again!).  In the sixteenth, The Incense Game, the actual crime to solve (poisoned incense, natch) is almost an afterthought compared to the descriptions of the aftermath of an earthquake that really happened, the deterioration of the shogun in rwesponse, and various elements of the arc plot.

Department of Speculation, by Jenny Offill  

"Just keep her alive until she's eighteen," my sister says.  My sister has two daredevil boys, fraternal twins. She lives in the country but is always threatening to move to England.  Her husband is British. He would like to solve all their problems with boarding school and compulsory backgammon. He has never liked it here. Weak-minded, he calls Americans. To make him happy, my sister serves boiled meat for dinner and makes the peas mushy.

There's a stock relationship trope featuring a woman with manic positive spontaneity paired with a practical-sensible traditional male who has trouble coping with her.  Barefoot in the Park.  Dharma and Greg.  the Bloggess.  The dancing girl in the new Bloom County strips. Department of Speculation is what happens when you take that trope and remove all of the woman's zest for life and make the man a typical doofus.
I read it in an attempt to broaden my horizons. It was on a list of noteworthy books written by women, and the list got it half right.  The book was indeed written by a woman. 

I'm aware that I'm not the target market. Department of Speculation is maybe written in a code that women get and men, if they bother to look, conclude that women are some ineffable alien species whose "really deep thoughts' aren't as deep as they think..  The unreliable female narrator separates all of her paragraphs into separate vignettes such that this happens, and then this happens, and then another thing, like very short diary entries, each one of which presents a small event in a way that implies that there's something very fucked up about this modern world. Which, in fairness, it is, and her along with it.  Part way through she begins to refer to herself in the third person as "the wife" and her husband as "the husband". She can't cope. "The husband" retreats from her into adultery, and their daughter's getting a complex-womplexkins.  Bottom line, I found myself belittling women while reading it, and I don't like the person I am when I do that.  Fortunately, the book is short. 

The Messiah of Stockholm, by Cynthia Ozick  

There was an exhaustion between them now, as if they had just run out of a burning house.  The roasting smell trickled up out of Lars's clothes; it fumed up from his belly, his armpits, the soaked pockets on his rump, his snow-dampened feet.  Heidi's gleam was an ember.  Her mouth relapsed to sleepiness. Lars wondered whether, with all her talent for turning things askew, she had given over his story--his deep fact--to Dr. Eklund, or in the last moment, revived their old habit of "we"--this hadn't escaped him.  But she couldn't be depended on; it occurred to him that the woman in the white beret, in the morning's white brilliance, carrying a featherweight Messiah in a white bag was, if she wasn't an angel, a lie.

This novella is about a man, orphaned in Poland during the holocaust and smuggled safely to Sweden, who has no knowledge of his actual parentage and who copes with a very dreary adult life (no family to speak of, twice divorced, employed as an underappreciated book reviewer for a shabby newspaper, living in a laughably small apartment by himself) by convincing himself that his father must have been a certain Polish literary figure who was killed in the war. 

Pretty much the only person he confides in is a local bookseller...and then one day he gets a message from the bookseller, "Found your sister", and introduces him to a woman claiming to be the literary figure's daughter, bearing the only copy of the unpublished masterpiece that could well change both of their destinies as well as literary history.

It has intense language and deals with the lies we tell ourselves in order to get through the day, and whether it is better to shatter those lies and live in the real world, or to stay comfortable.  A theme as old as Don Quixote and given a fresh new treatment here.  Highly recommended.

Blood Sport, by Dick Francis 

I watched Keeble's daughter search for something nice to say about my living quarters and give up the struggle with a defeated shake of her young head.  I could have told her that I once had a better flat, a spacious comfortable first-floor front with a balcony overlooking a tree-dotted square.  It had proved too accessible to uninvited guests. I had vacated it on a stretcher.

Dick Francis is pretty much for people who know and care a lot about horse racing. Blood Sport is a bit different in that the narrator/detective is not a jockey, breeder or insurance investigator specializing in horses, but a government agent who doesn't know squat about races, and whose employer hires him out to an American millionaire to find a stolen horse. Most of the story takes place in Kentucky and the American west, and is in the style of a noir private eye novel.
Hawkins, the narrator, adds even more grit to the Chandleresque writing by being suicidal, bringing about several descriptions of deep depression, as well as action scenes where he behaves with reckless courage because fuck it, death would be a relief.  There's not much of a mystery so much as a procedural tracking adventure, and the motive for one of the crimes turns on a ridiculous coincidence, but as an action-adventure story with a lot of horses, it's a good one.

Gifted Hands, by Dr. Ben Carson 

Occasionally my mother sent me to the store to buy bread or milk with the stamps.  I hated to go, fearing one of my friends would see what I was doing.  If anyone I knew came up to the checkout counter, I'd pretend that I had forgotten something and duck down one of the aisles until he left. Waiting until nobody else stood in line, I'd rush forward with the items I had to buy.

I could accept being poor, but I died a thousand deaths thinking that other kids would know it. If I had thought more logically about food stamps, I would have realized that quite a few of my friends' families used them too. Yet every time I left the house with the stamps burning in my pocket, I worried that someone might see me or hear about my using food stamps and then talk about me. So far as I know, no one ever did.

I read this because I was curious as to how a brain surgeon could be as batshit insane as Carson, or how a black guy who overcame life in the hardcore streets of the inner city could become a fringe-right asshole.  After reading the book, I'm still curious.  The guy he presents as in his 1990 autobiography is not even close to the guy we see trying to out-frothymouth Donald trump on TV today.  My only conclusion is that something happened to Carson some time between 1990 and the time he decided to be a Republican crusader and say what the Koch Brothers want America to hear.

In fact, if I squint and pretend that this is an autobiography of a John Lewis-style liberal, the book still makes perfect sense.  Carson's father left the family for another woman.  Mom worked back-breaking jobs and was away from home frequently, sometimes checking herself into a mental health facility from the stress, so that Ben and his brother could have opportunity. He experienced race prejudice in the schools, leaving the local football league because the parents of the white kids said they'd kill him if he ever came back.  He benefitted from government food stamp programs (and was made to feel guilty about it by conservative assholes) and affirmative action in getting his education.  Patients didn't want him for a doctor until he'd become famous. He expresses high amounts of love and caring for the children whose lives he saves.  His favorite part of the Bible is Proverbs, which happens to be my favorite part as well.  Everything about his life experience is what makes an American with empathy, caring, a sense of service and leadership--in short, a forward-looking liberal.

How did he come to be a reactionary neo-feudalist bigot instead?  The answer isn't in this book.  In fact, all along, part of me has wondered whether he really means the shit he says during debates.  Not that it makes a difference. Whether you're bad to begin with or just do bad things you don't really mean so that the cool bad kids will like you, the result is the same.

If there's a flaw or a hint of things to come, it's in a tendency to tell tall tales as truth.  carson is full of crazy assertions that God has personally benefitted him. At one point, he says he was unprepared for a test, and dreamed the night before of a mysterious figure who wrote on a blackboard what proved to be the answers to the exam.  Another time he says he was broke and prayed for bus fare, only to find a $10 on the street in front of him.  Other assertions--his claim to have been offered a scholarship to West Point, and to have come close to killing someone in a knife fight--have been debunked. Not that his story would be less interesting without those details; he simply feels the need to make shit up.  Which says a lot about the kind of politician he'd be.  The kind who is always telling "anecdotes" about some friend who did whatever back then, or the lovable developmentally disabled guy who got fired from the pity job he was so proud of because the big bad gummint raised the minimum wage and they had to let good ol' Charly go. Those people don't exist. They are glurge tales to make excuses for someone's agenda.

I'll mention Carson's credo for success, which he calls bt the acronym, "THINK BIG":

Talent/Time management

Hope/Honesty

Insight

Niceness

Knowledge

Books

In-depth learning, and

God.

All, except the last one, being the things today's conservative republicans hate and want to destroy.  Go figure.

Love Lies Bleeding, by Edmund Crispin 

Fen might have said about crime what Lewis Carroll said about children: "I'm not omnivorous--like a pig." He preferred its delicatessen to its bread and butter.  If, therefore, Mrs. bly had been killed by some vagrant, out of mere cupidity, he was only too willing to leave the investigation to Stagge.  But the affair could not so easily be dismissed.  It involved--if Plumstead were speaking the truth--subtleties beyond the mental scope of a tramp, and moreover its temporal and geographical coincidence with the other deaths was enough to arouse suspicion.  A link might exist somewhere, and it would not be wasting time to attempt to ferret it out.

I've been reading about one Crispin a year now, and they're delightful.  The kind of "Murder--what fun!" genre that actually seems to get away with the main detective having jolly good fun, complete with literary puns, all through a delightful romp in Oxford or London or wherever.

This, the fifth in the series, has the usual completely nonsensical plot in which an assortment of strange and apparently unrelated plot twists all come together into one main crime, detected simply because Professor Fen just intuits things.  Have fun with it. I certainly did.

A Kestrel for a Knave, by Barry Hines 

And above them all, the noise--combinations of object and voice, depending on chance, and on the emotions of each child involved in each activity at a given time. Sometimes heightening, sometimes faltering, but the incidents causing these fluctuations in volume and pitch impossible to locate within the given activity.  The noise: spreading down from the yard across the estate, but leaving the bulk of its volume behind, so that people all over the estate, on the streets and in their gardens, on hearing it looked up towards its source, as though expecting it to be visible above the rooftops like a cloud or the rising sun.

Over the course of a day or two, we see the bleakness of young Billy Casper, in a nothing town somewhere in the north of England. Everybody in his life is an asshole or downright abusive: from his mother who tries to beat him for going to school instead of being late in order to buy her some cigarettes, to his bullying brother, the guy who pays him for his paper route, the teacher, the pastor, the coach, the other students...the kid has no friends and no hope, and because the book is only 160 pages, we don't get enough depth beyond passing from one nasty incident to another, the cumulative effect of which is a line of people smacking him and calling him no good, and of course steering him thereby to noplace good.
Casper's one real interest and the closest to a friend is the kestrel hawk he keeps as a pet and trains in falconry...and we don't see much of that either; just him feeding it one morning, having a flashback as to the day he found it and had to shoplift the book on falconry he wanted because the local librarian wouldn't let him be a member; and then a lot of daydreaming. Flights of fancy.  
Maybe the point is to get people to care more about children  It just made me depressed.

Lords and Ladies, by Terry Pratchett

"Fifty dollars each is daylight robbery!"

"No," said the coachman patiently. "Daylight robbery", he said, in the authoritative tones of the experienced, "is when someone steps out into the road with an arrow pointing at us and then all his friends swings down from the rocks and trees and take away all our money and things. And then there's nighttime robbery, which is like daytime robbery except they set fire to the coach so's they can see what they're about.  Twilight robbery, now, your basic twilight robbery is--"

"Are you saying," said Ridcully, "that getting robbed is included in the price?"

"Bandits' Guild", said the coachman. "Forty dollars per head, see. It's kind of a flat rate."

"What happens if you don't pay it?" said Ridcully.

"You end up flat."

By my tradition, and on the theory that Christmas is a time of as much delight as possible, I once again read a Discworld book for Christmas.  If I read Discworld only for Christmas, it will always pack a wallop as only an occasional treat can do, and I won't run out of books until I'm old and grey.

They're about my secret world, and I suspect, about most of my geeky friends' secret worlds as well, or they wouldn't be so popular. The more I read of them, the easier it is to forget that it's a Medieval/fantasy/gamergeek sort of world and not more of a funhouse mirror held up to the place I live in right now.  After all, there aren't wizards and trolls and a Grim Reaper walking around in actual skeletal form speaking in all-caps in this world, right?  Right?  Not for real?

They're here in Discworld, though.  Here are the witches---and it's quite disconcerting that, since I was recently introduced to Steven Universe, I kept visualizing Granny Weatherwax and Nanny Ogg  as if they were Pearl and Amethyst (though the analogy completely broke down trying to see Magrat as Garnet), and a delightful weird star-crossed romance between the very practical Weatherwax and one of the dithery, featherheaded faculty of Unseen University.  There is a big festive wedding in one of the outlying Kingdoms, threatened with disruption by the invasion of the Elves; complete with a reminder from Pratchett that elves are among the most frightening and evil races out there, making orcs and trolls seem like suitable pets in comparison.  There are coaches that are forbidden to travel on the Sabbath, so that the highwaymen can have a day off; comic hijinks that ensue when the king requests a book on marital arts and gets an illustrated guide to martial arts instead; rude mechanicals who must provide entertainment during the festivities without quite knowing what "rude mechanicals" are; and of course. the Librarian, out on holiday among people who haven't yet learned not to use the M-word around him.
Very highest recommendations. This is vintage Discworld.

De Profundis, by Oscar Wilde 

I could have walked out of court with my tongue in my cheek and my hands in my pockets, a free man.  The strongest pressure was put on me to do so.  I was earnestly advised, begged, entreated to do so by people whose sole intent was my welfare, and the welfare of my house.  But I refused. I did not choose to do so. I have not regretted my decisdion for a single moment, even in the most bitter periods of my imprisonment. Such a course of action would be beneath me. Sins of the flesh are nothing. They are maladies for physicians to cure, if they should be cured. Sins of the soul alone are shameful. To have secured my acquittal by such course would have been a lifelong torture to me. But do you really think that you were worthy of the love that I was showing you then, or that for a single moment I thought you were?  Do you really think that at any period during our friendship you were worthy of the love that I showed you, or that I thought you were? I knew you were not. But love does not traffic in a marketplace, nor use a butcher's scales. Its joy, like the joy of the intellect, is to feel alive.

Whatever you do, don't piss off Oscar Wilde.  You can't, because he's dead, but be careful anyhow.  

De Profundus is an 80 page emo letter Wilde wrote while imprisoned in Reading Gaol for "indecency", wrote it to Lord Alfred Douglas, who I imagine was the inspiration for the upper class cad who corrupts Dorian Grey in Wilde's better known novel. Douglas seems like a horrible person, but then I have know idea how reliable Wilde is.  He spends half the letter painstakingly confessing Douglas's sins against friendship and art, the other half comparing the spiritual lessons Wilde thinks he has learned from suffering to those of Jesus Christ, and then signs the letter "Your affectionate friend." So yes, there were boxes in Wilde's closet we don't really want to see opened. But you knew that.

The more cathartic part is the passive-aggressive denunciation.  I've had my share of people whose judgments I took to heart denouncing me at length as a bad person and slamming doors forever.  The worst were the denunciations I believed true at the time, that I've spent my subsequent life vainly trying to atone for.  In 20/20 hindsight, the most vitriolic messages were like Wilde's; they said more about the author than about me.  Seems to me, the main message of De Profundis is that, even if you have real talent, keep your feet on the ground.  You can float away on your own conceptions and go places where madness lies. 

Mathematical Principles of Natural Philosophy, by Sir Isaac Newton

SINCE the ancients (as we are told by Pappus) made great account of the science of mechanics in the investigation of natural things; and the moderns, laying aside substantial forms and occult qualities, have endeavored to subject the phenomena of nature to the laws of mathematics, I have in this treatise cultivated mathematics so far as it regards philosophy. The ancients considered mechanics in a twofold respect; as rational, which proceeds accurately by demonstration, and practical. to practical mechanics all the manual arts belong, from which mechanics took its name. But as artificers do not work with perfect accuracy, it comes to pass that mechanics is so distinguished from geometry, that what is perfectly accurate is called geometrical; what is less so is called mechanical. But the errors are not in the art, but in the artificers. He that works with less accuracy is an imperfect mechanic: and if any could work with perfect accuracy, he would be the most perfect mechanic of all; for the description of right lines and circles, upon which geometry is founded, belongs to mechanics. Geometry does not teach us to draw these lines, but requires them to be drawn; for it requires that the learner should first be taught to describe these accurately, before he enters upon geometry; then it shows how by these operations problems may be solved. to describe right lines and circles are problems, but not geometrical problems. The solution of these problems is required from mechanics; and by geometry the use of them, when so solved, is shown; and it is the glory of geometry that from those few principles, fetched from without, it is able to produce so many things. Therefore geometry is founded in mechanical practice, and is nothing but that part of universal mechanics which accurately proposes and demonstrates the art of measuring. But since the manual arts are chiefly conversant in the moving of bodies, it comes to pass that geometry is commonly referred to their magnitudes, and mechanics to their motion. In this sense rational mechanics will be the science of motions resulting from any forces whatsoever, and of the forces required to produce any motions, accurately proposed and demonstrated. This part of mechanics was cultivated by the ancients in the five powers which relate to manual arts, who considered gravity (it not being a manual power) no otherwise than as it moved weights by those powers. Our design, not respecting arts, but philosophy, and our subject, not manual, but natural powers, we consider chiefly those things which relate to gravity, levity, elastic force, the resistance of fluids, and the like forces, whether attractive or impulsive; and therefore we offer this work as mathematical principles of philosophy; for all the difficulty of philosophy seems to consist in this—from the phenomena of motions to investigate the forces of nature, and then from these forces to demonstrate the other phenomena; and to this end the general propositions in the first and second book are directed. In the third book we give an example of this in the explication of the system of the World; for by the propositions mathematically demonstrated in the first book, we there derive from the celestial phenomena the forces of gravity with which bodies tend to the sun and the several planets. Then, from these forces, by other propositions which are also mathematical, we deduce the motions of the planets, the comets, the moon, and the sea. I wish we could derive the rest of the phenomena of nature by the same kind of reasoning from mechanical principles; for I am induced by many reasons to suspect that they may all depend upon certain forces by which the particles of bodies, by some causes hitherto unknown, are either mutually impelled towards each other, and cohere in regular figures, or are repelled and recede from each other; which forces being unknown, philosophers have hitherto attempted the search of nature in vain; but I hope the principles here laid down will afford some light either to that or some truer method of philosophy.

I have decided that scientific writing is good for my soul; it keeps me humble.  Mortimer Adler, in his introduction to the "Great Books of the Western World", assures us that "anyone" can read any volume in the set, and not to be intimidated by the imposing stature of the great minds. Principia Mathematica, the last of the huge tomes I read this year, is part of the set, and well over half of it was utter gobbledegook to me, full of centripetal forces and equations proving the paths of orbits of objects around other objects.  After the first few propositions, I found myself pretty much taking his word for it.

I looked at the syllabus for a college level humanities course that boasts of teaching Newton along with other great minds in western history. the part of the Principia covered includes the introductory definitions and axioms (Newton's three laws of motion), an introductory set of rules at the beginning of Book III; and the "General Scholium" at the end, where Newton denies contriving any hypotheses.  That part, at least, I could understand.

The Historical and Critical Dictionary, by Pierre Bayle 

The Japanese could not preserve their ancient government, nor their ancient worship, but by ridding themselves of the Christians, who sooner or later would have ruined both, and as soon as they had been capable of making war, would have armed all their proselytes, would have introduced into the country the soldiers, and the cruel maxims of the Spaniards, and by killing and hanging as in America, would have brought all Japan under their yoke. Thus considering things only by political views, we shall be obliged to own, that the persecutions the Christians suffered in that country were a prudential means to prevent the overthrow of the monarchy and a plundering of the state.  The ingenuous confession of a Spaniard justifies the precaution of those infidels, "It gave a specious pretense to the Bonzes to exercise their hatred, and to solicit the extirpation of the Christians. Being asked by the king of Tossa, how the king of Spain became master of so great tracts of land in both the hemispheres, he too honestly answered, that he sent Monks to preach the gospel in foreign nations, and that after they had converted a good number of Pagans, he sent his troops, which, joining with the new Christians, subdued the country. This indiscretion cost the Christians dear."

See Holinshed's Chronicles from last year, and Aquinas's Summa Theologica from the year before that, for further evidence that I ought to have my head examined.  Among other huge tomes, this year I read Burton, Pepys and Newton, whom people have at least heard of.  The King of the 17th Century Thick Books, however, is Pierre Bayle, whose five huge volumes crammed with footnotes kept me occupied for the entire year, a bit at a time.

This was the start of an age when people were beginning to compile disparate information into collections; although Bayle's work is called a "dictionary"; it is really an editorial encyclopedia of distinct articles in alphabetical order, some of which run to several pages of commentary.  The majority of articles are specific to Bayle's time, and deal with philosophers, theologians and court figures long since forgotten.  And no, even I didn't feel the need to read every bit of it; by the end of Volume I, I was more than content to skim it and only look at the articles about people I'd heard of.  There are enough ancient figures, and Bible characters, and famous contemporaries like Spinoza to keep one occupied.

Most of the articles are devoted to telling you what's wrong with so-and-so, according to Bayle; it makes no pretense at objectivity and bats away theory after theory, showing thaat religious and philosophical doctrines all contradict other principles that are self-evidently true, in an attempt to influence the reader towards skepticism.  Because churches and kings were still putting people to death for heresy, Bayle wrapped it all up with a winking, nudging conclusion that, since he had demolished reason, faith was the only valid way to live life.  Of Course.

Bayle's dictionary is best remembered, not as a good in itself, but as a stepping stone from which the likes of Hume, Voltaire, Diderot and Thomas Jefferson were able to go further.  There are nuggets of Awesome in it, but the amount of plain dirt needed to wade through to find it will daunt most readers.

Characteristics, by Anthony Ashley Cooper, Third Earl of Shaftesbury  

By this time, my friend, you may possibly, I hope, be satisfied that, as I am in earnest in defining raillery, so I can be sober too in use of it. It is in reality a serious study, to learn to temper and regulate that humor which nature has given us as a more lenitive remedy against vice, and a kind of specific against superstition and melancholy delusion.  There is a great difference between seeking how to raise a laugh from everything and seeking in everything what justly may be laughed at. For nothing is ridiculous except what is handsome and just, and therefore it is the hardest thing in the world to deny fair honesty the use of this weapon, which can never bear an edge against herself and bears against everything contrary.

Shaftesbury was a disciple of Locke who collected five disjointed philosophical essays on topics ranging from passion to virtue to aesthetic judgment, together with some afterward on the subject, and called the whole work "Characteristics". His main connection with Locke is with the "Letter Concerning Toleration', in that he advocates free speech, with the distinction that he does not slam atheists.  His central thesis is that Man has been given reason and must exercise it by discussing opinions and examining himself.  Shaftesbury never read a comments section.

Shaftesbury was a poet at heart.  His writings are very readable, whimsical and full of "argument" based on appeals to what sounds good.  He defines philosophy as the search for what is just in society and beautiful in nature, and has little use for metaphysics, which pme greatly.  He believes that we achieve virtue by consistently following nature and looking for truth, goodness, beauty...which, unfortunately, he pretty much says is the will of God imposed on all things.  First helpful, and then not so much.

My Boyfriend Barfed in my Handbag, and Other Questions You Can't Ask martha, by Jolie Kerr  

The biggest problem I always had with the floors was that pushing a mop felt really awkward, and there was always either too much or too little water slopping all over the place and OH MY GOD WHY IS THERE HAIR EVERYWHERE THAT IS NOW WET HAIR EVERYWHERE AND GROSSSSSSSS.

Do you feel me? I bet you feel me.

And then one day I was kvetching to a similarly Clean Friend about how much I hate doing the floors, and he was all "I do mine once a week on my hands and knees." And then I stabbed him because seriously.

My last book of 2015 was a mistake.  I noted My Boyfriend Barfed in my Handbag off of someone's list of books by women in 2014--probably the same list that inflicted Jenny Offil on me--thinking it was a novel or a book of Erma Bombeck-ish essays.  In fact, it's a book on how to clean things.  A useful book, but kinda annoying too.

Or maybe entertaining, if you like your world framed in such a way that men are pigs who leave living spaces reeking of dirty socks, armpits, stale beer and patchouli.  Pigs who incessantly barf into handbags, defecate in bed, pee when they're too drunk to aim for the toilet, and leave trails of oily hair all over the floor as they drag their knuckles across it.

If you like your world framed in such a way that women are Cathy, forever rending their garments and bawling "ACK!" at their messy living spaces--if Cathy was ever edgy enough to worry about her mom seeing red wine vomit and laudanum stains on the good furniture.

If you like your world framed as a noxious, putrescent hellhole with harmful bacteria on every surface of the house and car, which it probably is, but most of us have learned to live with it and don't need a lot of reminders.

But yes, useful. There are sections on special care of kitchens, bathrooms, walls and a whole lot of detritus from makeup and grooming products mostly marketed to women.  You'll learn some handy tips for special situations, and have your attention drawn to several places probably in more need of attention than most, that you haven't been giving much thought to.

And there's one more year of Bookposts done, and my quixotic decade of classics half done, covering over 2,000 years from the earliest times to 1714.  The other half has just 300 years and will need much more triaging of lesser works than the first half.  In 2016, I cover the era of the white powdered wigs, as far as at least the start of the French Revoluiton, and hopefully completing the 18th Century.  Exciting times are ahead.

If anyone has some favorite historical fiction set in the era, especially mysteries and books not set in Europe (Laura Joh Rowland's Japan has been a godsend in not limiting my reading to the west, but non European historical mysteries are proving hard to come by), please share your recommendations.  I intend to read the Outlander books, and am familiar with Keith Heller, Maan Meyers, James McGee, and the ones by Lillian de la Torre featuring Johnson and Boswell as Holmes/Watson.  At least one Anne Dukthas time travelling book is set in the 18th century as well. What else?   And what books do you want to make sure I don't leave out?

Thank you for reading.  Always.

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Monthly Bookpost, January 2016

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For the first half of the decade, I tried to read pretty much All The Things that were fit to come out of Western Civilization from the earliest times until the death of Louis XIV.  I was also struck by the number of books claiming to have marked the transition into the "modern era" at the start of each year I was reading: Augustine in 2013; Machiavelli in 2014; Descartes in 2015 and Jonathan Swift as I begin the present year's plan. 

A lot of this included plenty of second and third tier writing that even I didn't care much for, especially during the years (centuries) when most of the stuff presented as nonfiction was about churchy stuff.

As we get into the era of the white wigs, the good news is that the church is losing it's power to kill people for heresy (which might change if, say, Ben Carson or Ted Cruz became President) and so, beginning with Swift and Voltaire, I'm reading a lot more wit and a lot less preaching. the bad news is, with the advances in printing, there are more books covering the last 300 years than any one person could read in five, even by giving up all other activity. So, my reading this year from the rest of the 18th Century should include The Biggest Stuff and some of the "of-interest" stuff, it's going to leave out a lot.  If there's something written between 1714 and 1800 that you either think I'd really enjoy or want to hear my opinions about it, please do comment with a recommendation.

And away we go...

The 18th Century Murders:  Outlander, by Diana Gabaldon; The Shogun's Daughter; the Iris Fan, by Laura Joh Rowland  

Do you think Jenny's right?" I asked later. "Do men really want to come back inside? Is that why you make love to us?" A breath of laughter stirred the hair by my ear.

"Well, it's no usually the first thing on my mind when i take ye to bed, Sassenach. Far from it. but then..." His hands cupped my breasts softly, and his lips closed on one nipple. "I'd no say she was completely wrong either.  Sometimes...aye, sometimes it would be good, to be inside again, safe and...one. Knowing we cannot, i suppose, is what makes us want to beget.  If we canna go back ourselves, the best we can do is to give that precious gift to our sons, at least for a little while..."  He shook himself suddenly, like a dog flinging water from its coat.

"Pay me no mind, Sassenach," he murmurred. "I get verra maudlin, drinking elderberry wine."

--from Outlander

The two spectators stood united in apprehension.  At least one of them knew this death was more complicated than it seemed.  They both knew it would have severe repercussions.  The old woman turned to the man.  her streaming eyes were so filled with grief that he couldn't meet them. she spoke in a challenging tone.

"Who wants to tell the shogun his daughter is dead?"

--from The Shogun's Daughter

Everyone expressed delight, including Reiko, but she was alarmed by the thought of her son taking on such an important, responsible position. "But he's so young and inexperienced."

"I can handle it, mother." Masahiro said, brashly confident. Teako beheld him with love, pride and trust.

"He'll have you and me to advise him and Detective Marume as his assistant. He'll learn." Sano looked at Reiko; they smiled as they remembered the hard lessons of the past and looked ahead to the challenges of the future.

"We all did," Sano said. "We all will."

---from The Iris Fan

Diana Gabaldon's Outlander series isn't strictly a mystery, but it does have several murders and thrilling adventures, plus it's a TV series and therefore more topical now than a lot of other things on my list, and so I'll include it in my "enrichment' supplement to books through history.  The protagonist, Claire Randall, is a WWII nurse who somehow ends up transported from 1945 Scotland to 1743 Scotland, among highland clans and British redcoats, and an ancestor of her husband's, who looks just like him but, unlike her husband, is a Grade-A shit of a man.  Randall must cope with centuries-old attitudes towards women, suspicion of being a spy or a witch, and the knowledge of the carnage of Bonnie Prince Charlie's insurrection, which is looming just around the corner.  There are some of the most erotic sex scenes I've encountered, as well as vicious descriptions of sexual and nonsexual physical cruelty. 

The last two (so far) of Laura Joh Rowland's Sano Ichiro series take place in the 18th century, and so I read them this month instead of abandoning it in December or rushing through it.  They're getting formulaic, but better written as the series progresses, and there will probably be more over time--Rowland has taken to incorporating actual historical events, such as earthquakes and high-ranking deaths of real historical people, and is clearly working toward a climax of the arc plot. The Shogun's Daughter involves a shogun's daughter whose death is actually recorded, though not as murder, and The Iris Fan is probably the biggest arc plot shift of the series to date, tying up several loose ends and bringing about an event that has been anticipated for most of the series..  I marvel that Rowland continues to evoke suspense as to whether Sano and his family will actually avoid yet another ridiculous plot to frame him for the crime he's investigating--and how the officials continue to believe him guilty until the inevitable miracle, time after time after time.

It Just Doesn't Matter:  Works of George Berkely  

HYL. You were represented, in last night's conversation, as one who maintained the most extravagant opinion that ever entered into the mind of man, to wit, that there is no such thing as MATERIAL SUBSTANCE in the world.

PHIL. That there is no such thing as what PHILOSOPHERS CALL MATERIAL SUBSTANCE, I am seriously persuaded: but, if I were made to see anything absurd or sceptical in this, I should then have the same reason to renounce this that I imagine I have now to reject the contrary opinion.

HYL. What I can anything be more fantastical, more repugnant to Common Sense, or a more manifest piece of Scepticism, than to believe there is no such thing as MATTER?

PHIL. Softly, good Hylas. What if it should prove that you, who hold there is, are, by virtue of that opinion, a greater sceptic, and maintain more paradoxes and repugnances to Common Sense, than I who believe no such thing?

HYL. You may as soon persuade me, the part is greater than the whole, as that, in order to avoid absurdity and Scepticism, I should ever be obliged to give up my opinion in this point.

PHIL. Well then, are you content to admit that opinion for true, which upon examination shall appear most agreeable to Common Sense, and remote from Scepticism?

HYL. With all my heart. Since you are for raising disputes about the plainest things in nature, I am content for once to hear what you have to say

I read Berkley first of the major 18th century writers, to get him out of the way.  His three works, A New Theory of Vision; The Principles of Human Knowledge, and Three Dialogues Between Hylas and Philonous are all pretty much the same philosophical argument, and fit together in one slim volume.  Both the Harvard Classics set and the Great Books set contain a volume on "Locke/Berkley/Hume" representing British empiricism; the Harvard Classics chooses the Three Dialogues; Great Books has the Principles..  If you're going to read Berkley, I suggest the Three Dialogues. They're better written, have a certain amount of point-counterpoint character tension similar to Plato's dialogues, and, it seems to me, do a better job of explaining what Berkley's trying to prove. The other works just make him look like some kind of nutcase.

No matter which you read; Berkley exemplifies why a lot of people think philosophy is a useless thing to study and that philosophers are crazy people who can't function in the real world without someone else meeting their survival needs.  Berkley was apparently so horrified at the very idea of the existence of base, unthinking MATTER in the Universe, that he felt the need to construct a world view without it, on the theory that the things that we perceive exist only as ideas created by God.

The short version: 

Things we perceive are really combinations of sensory impressions; they are not proof of the things behind the impressions.

Sensory impressions are sometimes fallible (because dreams; because people with jaundice perceive yellow that is not in fact there; because intense heat cannot be felt without pain, and inanimate objects feel no pain, therefore there is no heat unless someone is there to feel it.  If a tree falls unobserved, there is no sound, and all that).

If you're not at home right now, you are taking it on faith that your home even exists while you're not there.

And yet, it is absurd to believe things don't exist.

We can be sure that things exist even when unobserved, because GOD perceives all things, all the time.

This system only works if there is a God; therefore there is a God.

Evaluating this as philosophy, I ask:

Might this system be the truth?  No one, or almost no one thinks so.

Is it useful? No.

Is it simple? no, it adds unnecessary hoops to jump through before we can understand things.

Is it enlightening/does it make you think?  Yes.

Is it entertaining?  Maybe. Berkley is one of the easier philosophers to read, easier than Locke and Hume.

Berkley never actually disproves the existence of matter; he just provides a mostly consistent alternative, that he seems to assume people will choose because the existence of unthinking, icky STUFF in the world is supposed to be abhorrent, because it isn't God. This is just strange to me. Seems to me, most people are pragmatic about metaphysics, living their lives taking the independent existence of the world and the laws of science as a given, because they consistently work.  Just because coins have fallen to the ground each and every time you've dropped them before is not proof that next time they won't fall up (nor is the example of coins actually floating in a zero-g environment a useful counterargument when we're talking about how we live our day to day lives on earth), but we take it as proof because we want to get stuff done today.

Horse Sense:  Gulliver's Travels, by Jonathan Swift

I said, “there was a society of men among us, bred up from their youth in the art of proving, by words multiplied for the purpose, that white is black, and black is white, according as they are paid.  To this society all the rest of the people are slaves.  For example, if my neighbour has a mind to my cow, he has a lawyer to prove that he ought to have my cow from me.  I must then hire another to defend my right, it being against all rules of law that any man should be allowed to speak for himself.  Now, in this case, I, who am the right owner, lie under two great disadvantages: first, my lawyer, being practised almost from his cradle in defending falsehood, is quite out of his element when he would be an advocate for justice, which is an unnatural office he always attempts with great awkwardness, if not with ill-will.  The second disadvantage is, that my lawyer must proceed with great caution, or else he will be reprimanded by the judges, and abhorred by his brethren, as one that would lessen the practice of the law.  And therefore I have but two methods to preserve my cow.  The first is, to gain over my adversary’s lawyer with a double fee, who will then betray his client by insinuating that he hath justice on his side.  The second way is for my lawyer to make my cause appear as unjust as he can, by allowing the cow to belong to my adversary: and this, if it be skilfully done, will certainly bespeak the favour of the bench.  Now your honour is to know, that these judges are persons appointed to decide all controversies of property, as well as for the trial of criminals, and picked out from the most dexterous lawyers, who are grown old or lazy; and having been biassed all their lives against truth and equity, lie under such a fatal necessity of favouring fraud, perjury, and oppression, that I have known some of them refuse a large bribe from the side where justice lay, rather than injure the faculty, by doing any thing unbecoming their nature or their office.

“It is a maxim among these lawyers that whatever has been done before, may legally be done again: and therefore they take special care to record all the decisions formerly made against common justice, and the general reason of mankind.  These, under the name of precedents, they produce as authorities to justify the most iniquitous opinions; and the judges never fail of directing accordingly.

Omigosh, I had forgotten just how awesome Gulliver's Travels is.  I hadn't read it in decades.

It's one of those wonderful books that can mean different things to you depending on your biological and mental age.  I first read a sanitized version when I was quite young, and it was just a fun story about a guy's adventures in a land full of very small people.   Then I read the real version in college, and discovered there were three whole nother sections of it, including one where Gulliver has the tables turned and is in a different land where everyone else is a giant, and one that's a send-up of professors with a lot of esoteric intelligence and low stats in wisdom and life skills.  And that one had me laughing and thinking how remarkably clever it was.

And now I'm an adult, no longer young, and maybe feeling the same deep bitterness and cynicism  that Swift must have felt when he suggested that the English might as well just encourage the Irish to eat their own children, since we weren't going to do anything else to help their lot, and when he wrote the final section, in which the homo sapiens are subhuman louts who make Trump look like a civilized gentleman, and the horses have a nobility and goodness of soul that put humans to shame. They are astonished that Gulliver has some rudimentary reasoning abilities compared to themselves.  He learns a lot from listening, and longs to spend the rest of his days among them, so that he too can learn to be wise and virtuous.  But he tries a little too hard to separate himself from the hideous beasts he resembles, and to deny that he is anything like them.  When he describes civilization as he knows it in the Europe he came from, the Houyhnhnms are shocked and appalled. They think him as base and socially deformed as the beasts in their land, with the distinction that his people lack the physical strength and dexterity of the primitive Yahoos. Eventually, they tell him that he must leave their company, for his closeness to the level of a savage beast makes them feel unsafe. His host is shamed and derided for consorting with him. And so he goes back unwillingly to his own kind, and spends the rest of his life miserable, ashamed, unclean and half-mad with the grief of being separated from civilized beings. Just like Jonathan Swift at the end of his life. Just like me during a large part of mine.

The parallels between that and my attempts to belong to both geek culture and feminism are staggeringly bitter and painful.

It's still one of the best satires ever written, but in my cynical condition, at a time when Trump is seen as fit to be President of the Yahoos, I can't even call it dark humor.  I call it bitter medicine and a mirror held up to an America that Swift described to perfection although he never lived to see it.  Very highest recommendations for making  one feel as wise as possible while being all fired up and gloomy.

East Meets West:  The Engineer of Human Souls, by Josef Skvorecky 

I waited nervously in the Jolly Miller for about twenty minutes.  The interior was almost dark, as in most north american bars. I had sat down at a corner table--and when my eyes got used to the gloom, i received a shock that took me right back to Prague. Directly opposite me, at a row of tables, sat fifteen young men, all with long hair, all casually dressed, all drinking beer and staring intently straight at me.  It was like being in the middle of an absurd play by Havel.  My hands began to shake again, and I sat there like a hypnmotized rabbit, the focal point of fifteen indefinable, frozen stares.  Then something behind me cracked, the half familiar sound of a hard fist meeting a hard chin.  I swung round and absurdity became American realism.  On a small platform in the corner, behind me and a little above my head, was a television set. They were killing time watching serial violence.

I'm conditioned by now to cringe whenever I'm confronted with a "comic novel' from Eastern Europe.  I'm expecting Kafka or Hasek or something where the only humor in the absurd, deeply depressing situation is that you have to laugh at it in order to not cry or scream.  fortunately, Skvorecky, though born and raised in Czechoslovakia, emigrated to Canada and mellowed out.

His main character is a Czech-Canadian professor of English literature whose experiences alternate between discussing the works of Poe, Hawthorne, Twain, Crane, Fitzgerald, Conrad and Lovecraft, and remembering his earlier life in the Soviet-dominated homeland such that the themes of the discussed authors intertwine with his life.  I wouldn't call it funny, but i wouldn't call it absurdist or bad, either.  I would call it decent food for thought.

Familiar Guy In a Strange Land:  The Martian, by Andy Weir 

Teddy swiveled his chair and looked out the window to the sky beyond. Night was edging in. "What must it be like?" he pondered. "He's stuck out there. He thinks he's totally alone and that we all gave up on him. What kind of effect does that have on a man's psychology?"

He turned back to Venkat. "I wonder what he's thinking right now."

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LOG ENTRY: SOL 61

How come Aquaman can control whales? They're mammals! Makes no sense.

Haven't seen the movie yet, and I know nothing about it, but the original book about an astronaut trapped on the surface of Mars after surviving an accident that left the rest of humanity believing him dead, is one of the more gripping, suspenseful tales I've come across in quite a while.  Ironically, the library's hold list got around to me just when I was beginning my list of 18th Century books with---Robinson Crusoe, causing Defoe to bore the living shit out of me.

The protagonist, Mark Watney, knows that there won't be another mission to Mars for four years.  Using only abandoned NASA equipment and the inhospitable surface of Mars, he resolves to produce enough air, water and food to stay alive, and to contact NASA to let someone know he's still there. Much of the book consists of his journal, which he fully expects to be found near his desiccated remains some years after his death, and which he records with the snarkiest grim sense of humor one might expect under the circumstances. Unknown to Watney, the people of earth learn pretty early in the book that he exists, and are watching his every move via satellite photos, with rapt fascination although they too  have no way to signal him.

And then the spoilers happen.  Just...wow.  Very high recommendations.

Cultural Introduction:  The Pleasures of the Imagination (English culture in the Eighteenth Century), by john Brewer 

But in picaresque literature such as Captain smith's Lives of the Highwaymen, the highwayman is not a moral emblem but a person of distinction, the source of fascinated admiration, like an aristocrat or a person of exceptional talents.  Many such highwaymen, like Macheath, use titles. They call themselves "Gentleman" or "Captain", and claim to act chivalrously, according to a code of honour. They are depicted as witty and gallant, elegantly dressed, handsome and sexually alluring.  They seem dangerous, but are made unthreatening; they are careful in choosing their victims, courteous to those they rob, and given over to force only when necessary.  Often they represent themselves as victims who have been forced on the road and into a life of crime through personal misfortune or because the times are out of joint.  As the readers of such literature knew, there was a political purpose here; one of the first famous gentlemen of the road was James Hind, a Cavalier who claimed to have robbed Oliver Cromwell; many later highwaymen were portrayed as Tories or Jacobites and other victims as Dissenters, Whigs, and republicans.

This is a pretty good survey book to begin a year-long study of the 18th Century given that, from the context of historical books, everything that is deemed to "count' is overwhelmingly English, French, or "Miscellaneous Europe", and the places around the globe where they were running rampant over colonists and native peoples.

Brewer's book reminds me why, in those moments when I am so foolish as to think it might have been nice to live in ANY earlier time, I choose the England of Fielding, Sheridan, Garrick and Dr. Johnson.  it can be made to seem like not such a bad place for a middle-class, intelligent white male to go to plays, gather books, and discourse at the Mitre tavern among Johnson's precursor to the Algonquin Round Table.  The great minds of the age seem to be delightful personalities instead of hypocritical assholes; the diseases, the brutal habits and the stenches of the London crowds are ignored in favor of a friendly, pubby, "Oi, thank-ye, guv'nor" sort of atmosphere. where the tarts are appealing and, if the quoted text above is to be believed, even getting mugged isn't so bad.

(Mind you, in my line of work, I frequently rub elbows with addicts who sometimes turn to outlawry to support their habits.  for years I've been urging them, if they intend to ignore my earlier advice to stop robbing people at all, to learn something from the gentlemen highwaymen of old and have some manners: tip your hat to the ladies, make a flowery speech assuring your frightened victims that they won't get hurt as long as they hand over their valuables, share the spoils with the less fortunate, and you'll be admired by some of the public and maybe even get some leniency if caught.  the criminal world would be a better place if they listened to me, but I digress).

As the title of the book implies, Brewer is more interested in the life of the mind than in the streets; he focuses on advances in literature, art, and performance, followed by a section on life outside of London where the biographies of engraver Thomas Bewick of Newcastle,  composer John Marsh of Chichester, and "bluestocking" Anna Seward of Lichfield,  just to contrast country and city imaginative life.

It's over 600 pages, but don't be daunted. It's a fast read with a huge number of illustrations, might be closer to 300 pages without the pictures.  Highly recommended.

The Great Full-Stop Shortage of 1662:  Robinson Crusoe, by Daniel Defoe 

I had nobody to converse with, but now and then this neighbour; no work to be done, but by the labour of my hands; and I used to say, I lived just like a man cast away upon some desolate island, that had nobody there but himself.  But how just has it been—and how should all men reflect, that when they compare their present conditions with others that are worse, Heaven may oblige them to make the exchange, and be convinced of their former felicity by their experience—I say, how just has it been, that the truly solitary life I reflected on, in an island of mere desolation, should be my lot, who had so often unjustly compared it with the life which I then led, in which, had I continued, I had in all probability been exceeding prosperous and rich

I've never done this in a Bookpost before,  but in this case Kim Rollins and her outstanding Facebook note "Robinson Crusoe Is a Buffoon and a Human-Trafficking Slaveholder" has said everything I would have said, more eloquently and snarkily than I would have, and so I'm just going to give up, link to her post, and jump out the window.

http://www.facebook.com/notes/10152596573277612/

See also, The Martian, above.  Survival on a lush tropical island on Earth?  Luxury!

Find all of my previous Bookposts here: admnaismith.livejournal.com/...

Monthly Bookpost, February 2016

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Wanton with Sex Noises: Moll Flanders, by Daniel Defoe  

By this and some other of my talk, my old tutoress began to understand me about what I meant by being a gentlewoman, and that i understood by it no more than to be able to get my bread by my own work, and at last she asked me whether it was not so.  i told her yes, and insisted on it, that to do so was to be a gentlewoman, for, says I, "there is such a one," naming a woman that mended lace and washed the ladies' lace-heads, "she", says I, "is a gentlewoman, and they call her madam."

"Poor child", says my good old nurse, "you may soon be such a gentlewoman as that, for she is a person of ill fame, and has had two or three bastards."

The character of Moll Flanders is generally thought to be some sort of notorious criminal and whore, without redeeming features until the final few pages, in which she repents of her wicked ways and resolves to live virtuously with a husband to take care of her.  Defoe himself, in the standard "Please don't kill me, church, for writing this" preface of the day, justifies the book's existence as a portrait of the consequences of vice, and of repentance, the better to instruct the reader to live a moral life.  More disturbingly, the modern scholarly introduction by John Mullan, written in a day when we're supposed to know better than that, echoes the same "portrait of a rogue" sentiment.  I've no idea whether the modern word "moll' as a woman gangster or consort to a gangster boss is derived from Moll Flanders, but it wouldn't surprise me.

Seems to me, Ms. Flanders has been given a bum rap by the patriarchy. Seems to me, she's much less objectionable than Defoe's other major character Robinson Crusoe, who has come down through the ages as an everyman hero.

For the first 2/3 of the book, Moll Flanders is not a criminal, although the assholes of her society treat her as one for having been born in poverty to an imprisoned mother and made to feel guilty for burdening her foster parents with her upkeep.  She attempts to develop a seamstress skillset to become self-sufficient, endures a series of bad romances and marriages with rakish, unfaithful men and incompetents who squander or lose her savings, and has the fruits of honest labor lost by bank failures.  she is shamed and shunned by decent society for divorces, for having several dependent children without a father figure, for being in debt, and for unknowingly committing incest with a man she has no idea is her half-brother.  None of these things are her fault.  How lucky we are to live in more enlightened times, when no one would be so condescendingly judgmental to a victim of hard times, right?  Right?

After 200 pages of this, it comes as no surprise that Flanders succumbs to temptation when an opportunity to steal arises, and that for about 50 pages she becomes a successful thief--not an underworld leader, but a low level filcher of goods that she sells to fences.  Although she never commits a crime of violence and has much mitigation on her side, the one time she gets caught the judge casually sentences her to death.  She escapes this fate, reunites with one of her former husbands, and ends up making a fortune in America as an honest  (presumably slave-holding, though they don't say it explicitly) plantation owner.  Such a wonderful life-lesson for the ladies!  I liked her best when she was sticking it to the rich and giving no fucks.

Theology as reasonable ethics: Fifteen Sermons Preached at the Rolls Chapel, by Joseph Butler  

And with respect to restraint and confinement, whoever will consider the restraints from fear and shame the dissimulation, mean arts of concealment, servile compliances, one or other of which belong to almost every course of vice, will soon be convinced that the man of virtue is by no means upon a disadvantage in this respect.  How many instances are there in which men feel and own and cry aloud under the chains of vice with which they are enthralled, and which yet they will not shake off?  How many instances, in which persons go manifestly through more pains and self-denial to gratify a vicious passion, than would have been necessary to the conquest of it?

I was pleasantly surprised at a book of "sermons' that turned out to actually be decent exhortations for living the way it seems to me good people ought to live, and thinking about the things it seems to me we ought to think about.

The main thesis is that selfishness is not actual self-interest, because "enlightened" self-interest means being able to subdue one's passions.  The fact that pleasure is often the consequence of getting what we want does not mean that pleasure is the object of desire.

Further, although it seems to be claiming victory by definition, it is nice to see that "enlightened self interest" coincides with being good to each other, because Golden Rule, and to have it pointed out ,by a preacher , that the whole idea of people doing good things only out of fear that they are being watched by some higher being with the power to torture people for all eternity is less than inspiring as a tribute to human goodness.

This is the religious book.  Things are apparently quite different in the 18th century from the timid "please don't kill me, o priests, the church still trumps all human thought" attempts at philosophy from earlier centuries.  I'm glad.

Slow and Ponderous: Treatise of Human Nature, by David Hume  

A prisoner, who has neither money nor interest, discovers the impossibility of his escape as well from the obstinacy of the gaoler, as from the walls and bars with which he is surrounded; and in all attempts for his freedom chooses to work upon the stone and iron of the one than upon the inflexible nature of the other.  The same prisoner, when conducted to the scaffold, froesees his death as certainly from the constancy and fidelity of the guards as from the operation of the ax or wheel.  His mind runs along a certain train of ideas: The refusal of the soldiers to consent to his escape, the action of the executioner, the separation of the head and body; bleeding; convulsive motions, and death.  Here is a connected chain of natural causes and voluntary actions, but the mind feels no difference betwixt them in passing from one link to another; nor is less certain of the future event than if it were connected with the present impressions of the memory and senses by a train of causes cemented together by what we are pleased to call a physical necessity.  The same experienced union has the same effect on the mind, whether the united objects be motives, volitions and actions, or figure and motion.  We may change the names of things; but their nature and their operation on the understanding never change.

David Hume's first major work is thick and hard to read, and depressed him with its lack of response from the critics of the day.  the words "It fell stillborn from the presses" were said.

Fortunately, the edition I read included a thick introduction as well as a 15 page "abstract" (summary) by Hume, such that having it all said three times, the important stuff sank in, at least.

There are three parts to the work: the first is separate from the other two, and continues the epistemology of Locke and Berkley to the point of ridiculousness, asserting that (1) all we know, and all the beliefs we act on come from past perceptions, such as observing things drop to the ground when we let go, every time; and (2) it is possible to make mistakes in perception; further past performance is not 100% indicative of future results, as in letting go of something in zero-G, or the possibility that the world might end tonight and therefore the sun will not rise tomorrow; so therefore (3) we cannot be certain of, oh, anything at all, but (4) it is impossible to live a meaningful life or even function basically based on 100% skepticism of all things, and so (5) we live based on FAITH.  This is the part of Hume usually taught in Freshman Humanities, and it adds nothing to one's enjoyment of or understanding of the universe.

For some reason, when I was back in Freshman Humanities, I got the impression that the British empiricists were sensible. That may have been because they were being compared with Descartes and the "rationalist' school, and it seems to me more true that we learn what we know from experience rather than the presence of innate ideas in our heads when we're born.  It just seems to me that our experiences actually have validity, which is apparently not what Hume, et al, say. Compare and contrast with Butler, above. It depresses me that a theologian manages to be more ground in practical reality than his contemporary leading philosopher.

The rest of the book consists of a discourse on passions and emotion, followed by a section on morals, which as per Spinoza is primarily concerned with the value of keeping rational control over said passions.  This part IS very much useful, as it seems to me that keeping calm, with an eye on the big picture, during moments of decision, even when in the grip of powerful emotions, is maybe THE key to being an overall good person versus being a hot wrecked-train of a person who does all kinds of harm.  Seems to me, those who succeed at becoming Jedi may have included Hume in their studies.

Noir x2: A Rage in Harlem, by Chester Himes  

Grave Digger and Coffin ed weren't crooked detectives, but they were tough.  They had to be tough to work in harlem.  Colored folks didn't respect colored cops. But they respected big shiny pistols and sudden death.  It was said in Harlem that Coffin ed's pistol would kill a rock and that Grave Digger's would bury it.

They took their tribute, like all real cops, from the established underworld catering to the essential needs of the people--gamekeepers, madams, streetwalkers, numbers writers, numbers bankers.  But they were rough on purse snatchers, muggers, burglars, con men, and all strangers working any racket.  And they didn't like rough stuff from anybody else but themselves. "Keep it cool," they warned. "Don't make graves."

I felt a little unenlightened choosing a pulpy mystery as a way to incorporate Black History Month into my reading plan.  I needn't have. A Rage in Harlem is a vivid portrayal of the culture, high life and lowlife in 1950s era Harlem from the jazz clubs to the churches to the slums, with references to a great many landmark buildings of the era and character development that had my gut wrenching at every violent plot twist.

The story begins with a sad sack victimized out of everything he owns by con artists, continues with the sad sack's streetwise brother investigating like a POC Philip Marlowe to find the crooks and get payback, and climaxes with an extended round of savagery typical of noir thrillers.  High recommendations.

Cultivating Our Garden: Candide, by Voltaire 

The whole little society entered into this laudable design, according to their different abilities. Their little plot of land produced plentiful crops. Cunegonde was, indeed, very ugly, but she became an excellent pastry cook; Paquette worked at embroidery; the old woman looked after the[Pg 168] linen. They were all, not excepting Friar Giroflée, of some service or other; for he made a good joiner, and became a very honest man.

Pangloss sometimes said to Candide: "There is a concatenation of events in this best of all possible worlds: for if you had not been kicked out of a magnificent castle for love of Miss Cunegonde: if you had not been put into the Inquisition: if you had not walked over America: if you had not stabbed the Baron: if you had not lost all your sheep from the fine country of El Dorado: you would not be here eating preserved citrons and pistachio-nuts."

"All that is very well," answered Candide, "but let us cultivate our garden."

Voltaire's best known work is a novelette, readable in an hour or less, written mainly to poke fun at Liebniz's philosophy that this is "the best of all possible worlds".  The hero endures poverty, military conscription, torture, jail, auto da fe, natural disasters, savages, attaining marvelous wealth only to be swindled out of it, and--trigger warnings are needed--being helpless as his true love is taken by one powerful bad man after another.  This is all portrayed in a witty, satirical style intended to make the characters cartoon characters so that we don't empathize too much with their plights, and accompanied by the constant cheerful excuses of Candide's companion Pangloss (not constant, actually, as Pangloss is out of the picture and thought to be dead for more than half of the book) that all is for the best.

If you've been reading my bookposts at all, you know that I normally love a good satire.  It may be that my readings lately have been colored by depression, but as with Jonathan Swift last month, Voltaire made me feel bitter and miserable.  Pangloss's "all for the best" comments did not strike me as comic; instead they reminded me of the old Twilight Zone episode where people have to say, "It's GOOD that that happened" every time the omnipotent mean child does something horrible.

The 18th Century Murders: Lord John and the Private Matter, by Diana Gabaldon; The Dutchman, by Maan Meyers  

He withdrew the miniature of Joseph Trevelyan, which he had abstracted from his cousin's bedroom, and laid it on the bed before her. "I want to know if this man has the pox. Not clap--syphilis."

Nessie's eyes, hitherto narrowed, went round with surprise. She glanced at the picture, then at Grey.

"Ye think I can tell from lookin' at his FACE?" she inquired incredulously.

--from Lord John and the Private Matter

The sergeant scowled. "Let's see how humorous you are with the enemy crawling up your arse. remember, matchlocks, on aim you blow on your match so that it's hot enough to ignite the powder in your pan, then you clip your match to the serpentine. All of you, now: ready? Aim. fire. And reload. Now let's do it in veritas."

To Tonneman's surprise, many got it right, even one or two armed with matchlocks. The explosive sound and puffs of smoke coming from the locks of the weapons were comforting. Not so comforting were the targets hanging from the trees, unscathed.

--from The Dutchman

The second Outlander novel is Dragonfly in Amber; unfortunately, that one had three holds on it at my library, and so I turned to Gabaldon's other series, which stars an Outlander character I haven't encountered yet in the main series, and which is more of an actual "mystery" series.  Lord John is an English officer in George II's London, where the environment looks  not too different from the Charles II London in the Chaloner books from last year.  The same stiffly polite ladies and gentlemen who have people stabbed in the back as soon as they turn away, and the same thugs who try to club people in back alleys.  Lord John simultaneously discovers through an inadvertent glance in the privy that a gentleman engaged to his ward is infected with the pox, and for reasons best explained by people familiar with high society, must handle the matter delicately. He also investigates the death by street brawl of an Irish officer who might have been a traitor.  And of course the two problems intertwine.  Not the best whodunnit, but very good on character and atmosphere.

Maan Meyers, the pseudonym of a husband and wife collaboration, writes mysteries set when old New York was once New Amsterdam.  The hero Tonneman is the Schout (sheriff) under Pieter Stuyvesaant, scumbucket, on a Manhattan paved with oyster shells and populated by Dutch settlers, English antagonists, expatriated Jews, not-slave African laborers, and natives, all of whom are despised by Stuyvesaant.  During The Dutchman, the English are about to invade, someone is treasonously assisting them, and murders are being committed over a document in English that the Dutch Tonneman is unable to read.  Arson and intrigue ensue.

The New Science, by Giovanni Battista Vico 

In that dark night which shrouds from our eyes the most remote antiquity, a light appears which cannot lead us astray. I speak of this incontestable truth: the social world is certainly the world of man.

The "new science"  is the use of reasoning and investigation to study history.  Vico demonstrates how very scientific this is by asserting the truth of Noah's flood, followed by a period in which the earth was populated by savage giants who were cured of their savagery by discovering religion, becoming thereby ashamed of themselves, and inventing morality as a result.  I was unimpressed.  Even the scripture he cites as fact gets it in the opposite order: first self-shaming, then giants in the earth, then the flood.

He's a little more convincing later on when he develops a different theory of the origin of religion stemming from people first burying the dead for sanitary reasons and segueing from that into the concept of immortality of the soul.  Sid Meyer may have been influenced by Vico in mapping the development of civilizations. 

Where Vico most fails, it is in a one-size-fits-all theory of how "a civilization" develops.  It's all very well to assert that cultures go through an Age of Gods, and Age of Heroes, and an Age of Men--and to point out the similarities in Greek, ancient Roman, and Northern Europe's similarities in this regard as shown in their literature--but not all civilizations fit this mold, especially the ones being meddled with by Europeans at the time Vico wrote.  The united States, too, arguably did it in a different order, starting with the "heroes" in tales of the founding fathers and the tall tales of Paul Bunyan, Pecos Bill and even John Henry--then focusing on "men" (people) in the ideals of populism and democracy, and only recently falling into a superstitious, science-hating concentration on myth and the supernatural.

Tacky Tourists and Culture Shock: the Persian Letters, by Charles de Secondat, Baron de Montesquieu 

Where 18th Century wit, especially French "wit", fails today, it is due to a constant appeal to then-contemporary gossip.  Swift, Voltaire, and especially Montesquieu, are filled with cutting remarks at the expense of minor celebrities who have long since fade into obscurity. Somewhere right now, maybe someone is writing a novel with a reference to Kim Davis or that dentist who shot Cecil the lion, and two hundred years from now, it will have to be published with footnotes explaining the joke, and readers will say to themselves, "Ah, that must have been funny and controversial back then."

Montesquieu stays a lot closer to home than Gulliver. His "witty" epistolary novel consists of the correspondence of a couple of Persians who make a reverse-Hajj to Europe and are pointedly Unclear On the Concept of the funny white people with their funny wigs and their funny law courts and their funny manners and courtships and how very droll it is that they worship a God who orders them to feed the poor but then they don't feed the poor, etc. The descriptions of culture shock at"funny Europe" were lost on me, as I was jarred by my own culture shock at the not-at-all funny conditions of the harem/seraglio that most of the chief Persian's mail goes to, with their degraded eunuchs and the even more degraded multiple wives, all of whom understandably hate one another.

Oops:  The Story of a New Name, by Elena Ferrante 

I hadn't really succeeded in fitting in. I was one of those who labored day and night, got excellent results, were even treated with congeniality and respect, but would never carry off with the proper manner the high level of those studies. I would always be afraid: afraid of saying the wrong thing, of using an exaggerated tone, of dressing unsuitably, of revealing petty feelings, of not having interesting thoughts.

I chose this on the recommendation of a friend who neglected to tell me that it was in the middle of a series.  It's about two Italian women who apparently have been BFFs from a childhood described in an earlier book.  By The Story of a New Name, they've separated so that one of them, Elena, can go to school and regale the reader about the existential dreariness of Studying While Female.  The "new name" of the title, is her new last name when she marries a man less intelligent than she is and resentful of it, and wraps up her identity with his.  I'm not the target market for Ferrante, and I feel like I missed a lot of it by jumping in in the middle, but it's well written.

A Heartwarming Story About Children: Sophie's Choice, by William Styron 

She could not believe any of this.  She could not believe that she was now kneeling on the hurtful, abrading concrete, drawing her children toward her so smotheringly tight that she felt their flesh might be engrafted to hers even through layers of clothes.  Her disbelief was total, deranged.  It was disbelief reflected in the eyes of the gaunt, waxy-skinned young Rottenfuhrer, the doctor's aide to whom she inexplicably found herself looking upward in supplication.  He appeared stunned, and he returned her gaze with a wide-eyed baffled expression, as if to say: I can't understand this either.

"Don't make me choose," she heard herself plead in a whisper. "I can't choose."

The big reveal comes toward the end of the novel.  Even though it's pretty famous, I won't spoil it here.  Also, the "heartwarming" part of the caption here is bitter snark; Sophie's Choice is a huge downer, as is usually the case with holocaust literature.

The book is told first person by a character who is a professional writer reminiscing about early days right after being fired from his first publishing job.  It makes it hard to tell how much of the book is autobiographical.  Most of the story concerns the narrator's adventures in and around 1947 Brooklyn with the asshole Nathan and the tragic Sophie, and Sophie's memories in and around Auschwitz during the war.  Where she has to choose.

The narrator is an emigrant from the American South, the descendant of slaveholders, and skeletons from his ancestry, including an inheritance that directly resulted from human trafficking, highlight parallels between the Nazi holocaust and Southern atrocities against people of color.  I found the comparison unsatisfying in that we hear about Auschwitz from the perspective of a victim of the camps, while American slavery is described only by the white descendant having a sad about his blood money and feeling insulted when Nathan calls him a cracker.

Find all of my previous Bookposts here: admnaismith.livejournal.com/...

Monthly BookPost, March 2016

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Comforting Lies: Dialogues Concerning Natural Religion, by David Hume  

It is my opinion, i own, replied Demea, that each man feels, in a manner, the truth of religion within his own breast, and from a consciousness of his imbecility and misery, rather than from any reasoning, is led to seek protection from that Being, on whom he and all nature is dependent.  So anxious or so tedious are even the best scenes of life, that futurity is still the object of all our hopes and fears.  We incessantly look forward, and endeavour, by prayers, adoration, and sacrifice, to appease those unknown powers, whom we find, by experience, so able to afflict and oppress us. Wretched creatures that we are! What resource for us amidst the innumerable ills of life, did not religion suggest some methods of atonement, and appease those terrors with which we are incessantly agitated and tormented?

So, if followers of other philosophers are called Lockeans, Rousseauians, Kanteans, etc., then what do you call people who love David Hume?  Humeans? Humans?  Humanists? It's hard to say, because nobody really likes him.  Hume didn't much care for himself, even. so why am I reading him?

see January of this year for my thoughts on Berkely. At least his Dialogues were light and readable, written almost in the form of a play.  Hume's so-called "discourses" are more of a book in which some narrator says, "X said ___, and then Y said ___", and so on. Why did he even bother calling it a dialogue?  Also, why did he even bother trying to be skeptical about religion in a world where they killed people for that and he had to wink and say his characters were only pretending?

So he has to assume that the Christian religion is true because they kill you if you disagree (remember this if you're ever thinking about voting Republican; Christians plea for tolerance only when they do not yet have the temporal power to kill heretics. When the shoe's on the other foot, their craving to punish is like the craving of a Catholic bishop for underage boys),  but then he has his poorly drawn "characters" look at all the well-known proofs for the existence of god and finds them wanting, at which point he has his characters (never him, oh no) point out that the tendency toward religion stems from fear and the need to comfort oneself with fables--but no, he doesn't really mean that, really.

Seems to me, the main point of the "Age Of Reason" has to do with finally, finally throwing off those ancient chains and telling reverend Firesnort to go jump in the lake without fear of reprisal.  The nice thing about Hume is that, after his thick Treatise on Human Nature (see last month's bookpost), most of his philosophical writings are short enough to tolerate.

The 18th Century Murders: Dragonfly in Amber; Voyager, by Diana Gabaldon; The Dutchman's Dilemma, by Maan Meyers  

Scottish Clansmen fought according to ancient traditions. Disdaining strategy, tactics and subtlety, their method of attack was simplicity itself.  Spotting the enemy within range, they dropped their plaids, drew their swords, and charged the foe, shrieking at the top of their lungs. Gaelic shrieking being what it is, this method was more successful than not.  A good many enemies, seeing a mass of hairy, bare-limbed banshees bearing down on them, simply lost all nerve and fled.

Well schooled as it might ordinarily be, nothing had prepared Jamie's horse for a grade-A, number one Gaelic shriek, uttered at top volume from a spot two feet behind its head.  Losing all nerve, it laid back its ears and fled as though the devil itself were after it.

--from Dragonfly in Amber

The smell came strongest from the last door in the narrow corridor. Raqel covered her nose and mouth and held up the candle to the door. both women gasped.  Across the door, scrawled in red, was the word BLASPHEMER. there was no notice of illness.  Instead, nailed to the door with a bright tenpenny nail, dripping blood, was the very private organ of another stallion.

--from The Dutchman's Dilemma

"Ma'am, ruthven says as somebody's been drinking of the pure alcohol again."  Elias Pound popped up at my elbow, his round pink face looking drawn and wan, substantially thinned by the pressures of the last few days.

I said something extremely bad, and his brown eyes widened. "Sorry", I said. "Didn't mean to offend your tender ears."

"Oh, I've heard it before, ma'am," Elias assured me. "Just not from a lady, like."

"I'm not a lady, Elias," I said tiredly. "I'm a doctor."

--from Voyager

I did not like Maan Meyers' addition to the set of mysteries set in colonial Manhattan.  This is really number six, but chronologically the fourth, as it apparently spans a few centuries.  The Dutchman's Dilemma takes place about eleven years after The Dutchman, and is triggery for gruesome scenes filled with blood,  for animal cruelty, and for nasty stereotypes of Jews, Native Americans, and Africans transported to be slaves. The passages where a bunch of white guys from Holland and England malign all three groups while discussing which of them must be responsible for the apparent ritual killing of several animals, and eventually humans, was extremely offensive, and the mystery not worth it.

Gabaldon's second and third Outlander novels, on the other hand, while stereotypically Celtic, were not offensively so.  20th Century Claire and her 18th Century husband Jamie have more culture shock with each other as they attempt to stop Bonnie Prince Charlie's ruinous attempt to claim the Scottish and English crowns, separate in time and space for 20 years or so, and then reunite and have a sea adventure in the Caribbean in a world of improbable coincidences where Claire continually just happens to stumble across people and things that she had previously encountered as centuries-old relics in her own day.

Nonsense and Stuff: Jacques the Fatalist and his Master, by Denis Diderot  

How did they meet? by chance like everyone else.  What were their names? What's that got to do with you? Where were they coming from? From the nearest place.  Where were they going to? Does anyone ever really know where they are going to?  What were they saying? The master wasn't saying anything and Jacques was saying that his Captain used to say that everything which happened to us on this earth, both good and bad, is written up above.

I can't even. 

This is the precursor to the sort of 20th century novels I despise, that are full of one non sequitur after another and insist that they are profound, while I see nothing but nonsense.  Or maybe I'm a Philistine who doesn't get the deep important literary joke.  Take your pick. 

There's a master whose name is never given, and a servant named Jacques who does a lot of talking without saying much, as they travel on foot in an unspecified place and nothing important happens.  They talk a lot of philosophy without reaching conclusions, and indulge in paradoxes (that the reader might spot; the characters are oblivious) like a man in mourning for his widow. Depending on which came first, Diderot either influenced or was influenced by Tristram Shandy--oh, all right, he actually references the book, which is a clue that Sterne came first--, which did it better. 

If that's your cup of unspecified beverage, go for it.  Some kinds of French "wit" are lost on me.

Critics Rave!  The Satanic Verses, by Salman Rushdie  

Saladin Chamcha, following the line of Popeye's pointing finger, raised his hands to his forehead, and then he knew that he had woken into the most fearsome of nightmares, a nightmare that had only just begun, because there at his temples, growing longer by the moment, and sharp enough to draw blood, were two new, goaty, unarguable horns.

Salman Rushdie is a living example of the need to separate church from state and keep religion OUT of the government.  Rushdie received a sentence of death from the Muslim Book Critics Association for The Satanic Verses for some sort of "blasphemy" so mild that I didn't notice it.  The book contains a couple of dream sequences involving the life of Mohammed (called "Mahmoud" here), that are about as blasphemous as Kazantzakis's Last Temptation of Christ, with the distinction that Mohammed was a fully human prophet by all accounts, not an alleged god or son thereof whose human aspect would have been in possibly dispute.  The main plot involves a Bollywood actor and a VO professional who survive a plane explosion together, only to have one of them grow a halo and the other horns, in a magic realism angel/devil allegory, with the "angel" subsequently being more adored than ever, while the "devil"'s life is ruined.  There are subplots involving a mountain climber, a hunt for a serial killer in which the police arrest the wrong man,  and a group of pilgrims who take a death march into the sea.

It's weird, but not shocking, and might not have become so famous had some religious assholes not put a Fatwah on Rushdie's head.

Mr. Manners Approves! Letters to His son, by Lord Chesterfield 

Dear Boy:

Pleasure is the rock which most young people split upon; they launch out with crowded sails in quest of it, but without a compass to direct their course, or reason sufficient to steer the vessel, for want of which, pain and shame, instead of pleasure, are the returns of their voyage.  Do not think that I mean to snarl at pleasure, like a Stoic, or to preach against it, like a parson. No, I mean to point it out, and to recommend it to you, like an Epicurean. I wish you a great deal, and my only view is to hinder you from mistaking it.

Wisdom  and entertainment can be found in unusual places.  Having been failed by Swift, Voltaire and Diderot, three of the biggest "wits" of the age, I found what I was looking for in an English collection of letters in which Philip Stanhope, 4th Earl of Chesterfield, educates his son in the art of being a gentleman.

It is AWESOME.

Unlike the preachy, churchy books on behaviour that have come before Chesterfield, his guide to manners is not designed to make all people miserable or to display snooty manners; it is designed to enable the reader to avoid making himself snubbed, unpopular, or threatened with the duels and ambushes that were apparently as common in 18th Century Britain as they had been in France and Italy the previous century. It is designed to put one at ease in both highbrow and lowbrow company, and the letters apparently made a scandal by pointing out the differences between the two.

There's a big difference between proper behavior in 1750 and in today's world,  and the whole notion of society here excludes huge sections of the population, notably women (whom, for example, a man is to praise for their beauty only if they are average looking; the beautiful and the ugly know what they look like and won't be impressed by flattery,; they should be praised instead for their brains because the beautiful are never recognized for their brains and the ugly will be grateful to have some second-prize value....there is both wisdom and fail in that advice). Bottom line, there are many useful and delightful things to be learned from Chersterfield's advice, and the sincerely loving and affectionate tone he uses makes one willing to forgive the blunders.  See that?  Always be loving and affectionate, and people will be more inclined to forgive your blunders.

Very highest recommendations.

Mr. Roboto: Man a Machine, by Julien Offray de la Mettrie 

What power there is in a meal!  Joy revives in a sad heart, and infects the souls of comrades, who express their delight in the friendly songs in which the Frenchman excels. The melancholy man alone is dejected, and the studious man is equally out of place in such company.  Raw meat makes animals fierce, and it would have the same effect on man.  This is so true that the English, who eat meat red and bloody, and not as well done as ours, seem to share more or less in the savagery due to this kind of food, and to other causes which can be rendered ineffective by education only.  This savagery creates in the soul pride, hatred, scorn of other nations, indocility and other sentiments which degrade the character, just as heavy food makes a dull and heavy mind whose usual traits are laziness and indolence.

Another winner of a book--really, a long essay, and its brevity as well as the contents are to be appreciated--that came along just as I was about to get ready to give up on the whole historical reading thing altogether.  La Mettrie's philosophy sounds a lot like the short pithy "what if" philosophy your college friend came up with while stoned in the hall one night.  La Mettrie, partly tongue in cheek, reduces human beings to mechanical, stimulus-response organisms that are designed to do this and that when given various foods, or put in various climates, or manipulated in various ways.  The senses are all that differentiate us from actual machinery, and the brain capacity is all that differentiates ourselves from animals.

He also delightfully disposes of Locke, Descartes, and several other major philosophers in a paragraph or two, and does so in ways that show originality. So many of the "great books" simply repeat a lot of what was said in earlier "great books", to the point where reading several such books at once gets boring and repetitive.

He "proves" the existence of god by appealing to the unlikelihood of such a magnificent machine as the human organism appearing by chance, comparing humans with a finely made watch that of course must have been made by a watchmaker---and then he goes out of his way to assert that knowing god exists has very little practical value, as it is equally unlikely that something big enough to create the cosmos gives a ripe turd what is going on in the lives of any one among the millions (now billions0 of insignificant souls on the dust speck that is Earth.

Like Rushdie, above, La Mettrie predictably got a sentence of death from the clerical book critics' association, and spent much of his life nation-hopping to avoid the church police.  Do not let the theologians get their feet in the door again.

Strangers on a Train: The Great Railway Bazaar, by Paul Theroux 

Anything is possible on a train: a great meal, a binge, a visit from card players, an intrigue, a good night's sleep, and strangers' monologues framed like Russian short stories.  It was my intention to board every train that chugged into view from Victoria Station in London to Tokyo Central; to take the branch line to Simla, the spur through the Khyber Pass, and the chord line that links Indian railways with those in ceylon; the Mandalay Express, the Malaysian Golden Arrow; the locals in Vietnam, and the trains with bewitching names, the Orient Express, the North Star, the Trans-Siberian.

I sought trains.  I found passengers.

Probably Theroux's best known travel book, it recounts his journey by train across Eurasia and back, with particular emphasis on the Indian subcontinent, and also exploring the Middle East, Indochina and Japan, with a climactic return trip on the Trans-Siberian railroad.

As with a lot of travel writing I've read, this book pays too much attention to corrupt border-crossing officials and to the absence of amenities taken for granted by Americans. Yes, if you go on vacation, it sometimes seems like you spend the entire trip being delayed at the border by a sneering, humiliating, uniform-wearing twerp with a hand out.  but that's neither the part you want to remember, nor what other people are interested in knowing about your trip.  And yes, it can be hard to get ice, or private traveling space, or food exactly the way you like it, etc., etc., but the more outrage you put into describing that part of it, the more you look like the kind of American asshole that natives would enjoy killing.

And then, there's Theroux's appeal to ridicule by "humorously" imitating the accents of the people in whose country he's in, as when someone invites him to go to the "tzu" to see "wild enemas in cages". And the guides who always want to take him to visit the degraded prostitutes. And the dirt.  And the garbage. And the crime, on and off the train. And the danger, in most of the stops, of having the train blithely leave you stranded at a time other than the one he was told.   And not much about views, or history, or the things tourists generally enjoy more than going to the slums.   This book did not awaken in me an interest to see any part of Asia. It convinced me that it would be simpler to just baste myself with mosquito attractant and go camping at the most pungent local  dumpster where the most homeless hang out, throw my wallet away, get kicked and abused by the cops, inject myself with some tropical viruses, and sit around bitching about it to people for whom such conditions are just another day in the life.

There are, however, passengers with stories.  Those are the book's redeeming feature.  nothing like having a stranger you're never going to see again open up to you about weird family secrets.  The best are the asians who have been to America and who are eager to tell Theroux all about it from their perspective, which may well be a put-on, or telling the American what he wants to hear.

Large Wit: Letters on the English, and Philosophical Dictionary, by Voltaire

To be driven out of a delightful garden where we might have lived forever if only an apple hadn't been eaten--to bring forth poor children into misery, only that they may bring forth more--to be sick with so many diseases, vested with so many disappointments, to die amidst grief and in recompense to burn throughout eternity--is this the best of all possible lots? It certainly isn't good, so far as we are concerned; then how can it be so to God?

---from Philosophical Dictionary

The English have so great a veneration for exalted talents, that a man of merit in their country is always sure of making his fortune. Mr. Addison in France would have been elected a member of one of the academies, and, by the credit of some women, might have obtained a yearly pension of twelve hundred livres, or else might have been imprisoned in the Bastile, upon pretence that certain strokes in his tragedy of Cato had been discovered which glanced at the porter of some man in power. Mr. Addison was raised to the post of Secretary of State in England. Sir Isaac Newton was made Warden of the Royal Mint. Mr. Congreve has a considerable employment. Mr. Prior was Plenipotentiary. Dr. Swift is Dean of St. Patrick in Dublin, and is more revered in Ireland than the Primate himself. The religion which Mr. Pope professes excludes him, indeed from preferments of every kind, but then it did not prevent his gaining two hundred thousand livres by his excellent translation of Homer

---from Letters on the English

Voltaire seems to be a literary giant more due to the volume and variety of his writings than for any one work of genius in particular, and it is difficult to find people today who have read more than his short philosophical fiction. The revised Great Books set includes Candide, and the Harvard Classics includes Letters on the English, 24 letters written during and after a stay in Britain and including a sympathetic treatment of the Quaker religion, ridicule of the parliamentary monarchy, short sketches of Newton, Locke, etc., comparisons of French and English drama, some science notes, and miscellaneous observations.  The primary theme is that England is a silly little place compared to enlightened France, but that some of it may bear watching.  (condescending head pat)

Voltaire also took part in the fad, which thankfully didn't last like the novel, of writing "dictionaries" and "encyclopedias" that were not so much reliable reference books as opinionated precursors to collections of op-ed writings, Andy Rooney rants, and blogs.  As with Bayle's dictionary (see December 2015 Bookpost), i did not attempt to read the whole thing, as it would have kept me busy for months without providing much education or pleasure.  I just grazed at the articles that caught my fancy. Some, maybe all, articles were also put in Diderot's Encyclopedia; several made fun of the Catholic church and resulted in voltaire having to go into exile among protestants (see also, Salman Rushdie, elsewhere this month. The religious will kill people whenever they have the temporal power to do so).

Feel the Burn: Analytical Theory of Heat, by Joseph Fourier

The problems of the theory of heat present so many examples of the simple and constant dispositions which spring from the general laws of nature, and if the order which is established in these phenomena could be grasped by our senses, it would produce in us an impression comparable to the sensation of musical sound.

The forms of bodies are infinitely varied: the distribution of the heat which penetrates them seems to be arbitrary and confused; but all the inequalities are rapidly cancelled and disappear as time passes on.  The progress of the phenomenon becomes more regular and simpler, remains finally subject to a definite lawwhich is the same in all cases, and which bears no sensible impress of the initial arrangement.

Once again, the "science" volumes of the Great Books of the Western World series frustrates and fails to teach me, despite Mortimer Adler's promise that "anyone" can read these books.  Last year, i was seriously beating myself up as a noo-noo brain until a kind scientist friend assured me that one does not learn physics by reading the original Newton...or, evidently, Fourier. 
I can tell that Fourier is building on Newton's laws of motion, and on the laws of thermodynamics, in exploring the way heat flows between bodies of unequal heat. As with Newton, i was able to follow Fourier through the prefaces and introductory material; after that, the pages began to fill with equations lacking in explanation,  and i had to give up in frustration.
Math is hard. 

Find all of my previous Bookposts here: admnaismith.livejournal.com/...

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